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Full-Text Articles in African American Studies
"Second Sight": Acknowledging W.E.B. Du Bois's "Double Consciousness" As A Step Towards Dissolution, Alexandra M. Hudecki
"Second Sight": Acknowledging W.E.B. Du Bois's "Double Consciousness" As A Step Towards Dissolution, Alexandra M. Hudecki
Electronic Thesis and Dissertation Repository
This project examines American scholar W.E.B.’s DuBois’ idea of “double consciousness”, from his book The Souls of Black Folk (1903). The idea of “double consciousness” has and continues to be utilized by Black scholars and artists in literary, theoretical, and psychological contexts, some of which I hope my paper will adequately survey. I begin by examining “double consciousness” from the perspective of particulars by understanding Du Bois’s original idea and the specificities of the American context he himself was a part, considering the legacy of slavery. Then, by focusing primarily on writers such as Frantz Fanon, Richard Wright and Paul …
Race, American Enlightenment, And The End Times, Mark A. Mattes
Race, American Enlightenment, And The End Times, Mark A. Mattes
Faculty Scholarship
This chapter examines eighteenth- and early nineteenth-century visions of apocalypse regarding the future of black lives in the American body politic. It begins with readings of Jefferson’s fear of a black planet in Notes on the State of Virginia and Crèvecoeur’s depictions of racial terror in Letters from an American Farmer. The chapter then investigates the writing of an African American herald of the end times, Christopher MacPherson. The chapter reads the apocalyptic jeremiad of MacPherson’s pamphlet, Christ’s Millennium (1811), as a reparative response to the suppression of black voices and the annihilation of black lives.
“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch
“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch
Theses and Dissertations--English
My dissertation, titled “I’ve Known Rivers”: Representations of the Mississippi River in African American Literature and Culture, uncovers the impact of the Mississippi River as a powerful, recurring geographical feature in twentieth-century African American literature that conveys the consequences of capitalist expansion on the individual and communal lives of Black Americans. Recent scholarship on the Mississippi River theorizes the relationship between capitalism, geography, and slavery. Walter Johnson’s River of Dark Dreams: Slavery and Empire in the Cotton Kingdom, Sven Beckert’s Empire of Cotton: A Global History, and Edward Baptist’s The Half Has Never Been Told: Slavery and the …
Modern Charity: Morality, Politics, And Mid-Twentieth Century Us Writing, Matt Bryant Cheney
Modern Charity: Morality, Politics, And Mid-Twentieth Century Us Writing, Matt Bryant Cheney
Theses and Dissertations--English
Scholars over the past two decades (Denning, Szalay, Edmunds, Robbins) have theorized the different ways literature of the Mid-Twentieth Century reflects the dawn of the liberal US welfare state. While these studies elaborate on the effect rapidly expanding public aid had on literary production of the period, many have tended to undervalue the lingering influence on midcentury storytelling of private charity and philanthropy, those traditional aid institutions fundamentally challenged by the Great Depression and historically championed by conservatives. If the welfare state had an indelible impact on US literatures, so did the moral complexity of the systems of charity and …
But What Has Helga Crane To Do With The West Indies? Plantation Afterlives In The Black Atlantic, Rachel Mckenzie Carr
But What Has Helga Crane To Do With The West Indies? Plantation Afterlives In The Black Atlantic, Rachel Mckenzie Carr
Theses and Dissertations--English
“But What Has Helga Crane to Do with the West Indies? Plantation Afterlives in the Black Atlantic” situates the emergence of the southern gothic in modernist American and Caribbean works as a response to the shifting cultural narrative of the plantation in the twentieth century. In this project, I argue that the plantation seeps out of its place and time to haunt landscapes it may never have touched and times in which slavery is long over. While the plantation system is broadly recognized as a literary, political, and cultural force in nineteenth-century literary studies, I conceive it is also a …
Nomads Of The Body, Exiles Of The Mind: Twentieth Century Transnational African American Mexican Art And Literature, Anahi A. Douglas
Nomads Of The Body, Exiles Of The Mind: Twentieth Century Transnational African American Mexican Art And Literature, Anahi A. Douglas
Dissertations, Theses, and Capstone Projects
This dissertation examines the migration of African Americans from the U.S. to Mexico; however, these paths extend well beyond the North American continent and intersect with a much larger migration: the African Diaspora. The journeys of Langston Hughes, Audre Lorde, Willard Motley, and Elizabeth Catlett to Mexico illustrate an intricate web of rhizomatic connections spanning the Black Atlantic, the Caribbean Ocean, the Mississippi River and the Rio Grande. This dissertation examines the history of African American migration to Mexico during the twentieth century a well-documented, yet understudied area of research. These migrations offer an opportunity to reevaluate canon formation, Border …
Little Black Books: Exploring Modes Of Reclamation Of Black American Identity Through Afro-American Children's Literature, Aaliyah Armani Barnes
Little Black Books: Exploring Modes Of Reclamation Of Black American Identity Through Afro-American Children's Literature, Aaliyah Armani Barnes
Senior Projects Spring 2018
Senior Project submitted to The Division of Languages and Literature of Bard College
“The Blackness Of Blackness”: Meta-Black Identity In 20th/21st Century African American Culture, Casey Hayman
“The Blackness Of Blackness”: Meta-Black Identity In 20th/21st Century African American Culture, Casey Hayman
Doctoral Dissertations
The central claim in this dissertation is that much contemporary African American cultural expression would be better conceptualized not as “post-black,” as some would have it, but as what I call “meta-black.” I use the preface “meta-” because while this contemporary black identity also resists sometimes constrictive conceptions of “authentic” black identity from within the African American community, I diverge from theorists of “post-blackness” in observing the ways that, as Nicole Fleetwood observes, blackness necessarily “circulates” within a technologically-driven mediascape, and these postmodern black subjects work within and against the constraints of this aural-visual regime of blackness in order to …
Stories Written On Concrete: Understanding And (Re)Imagining Street Lit And Culture, 1990-2007, Jacinta Saffold
Stories Written On Concrete: Understanding And (Re)Imagining Street Lit And Culture, 1990-2007, Jacinta Saffold
Doctoral Dissertations
“Stories Written on Concrete: Understanding and Re-imagining Street Lit and Culture, 1990-2007,” coalesces around stories of urbanity and coming of age at the turn of the twenty-first century. As the Hip Hop generation reflected on the social, economic, and cultural shifts of the 1980s and 1990s, they took up paper and pen to immortalize the conflicting duality of the gritty and glamorous experience of growing up on a concrete cityscape in America. I interrogate how street lit disrupts normative literary representations of black life in print. Specifically, I consider how urban fiction writes against the African American literary canon in …
The Black Maternal And Cultural Healing In Twentieth Century Black Women's Fiction, Paula Wingard White
The Black Maternal And Cultural Healing In Twentieth Century Black Women's Fiction, Paula Wingard White
Graduate Theses and Dissertations
This work examines representations of maternal relationships between black women in five contemporary novels: Their Eyes Were Watching God by Zora Neale Hurston, Sula by Toni Morrison, The Salt Eaters by Toni Cade Bambara, The Color Purple by Alice Walker and Louisiana by Erna Brodber. Rather than situating the origins of black feminist literary studies during the Black Women’s Literary Renaissance of the 1970s and 1980s, I argue that Hurston’s work shapes contemporary black feminist literary studies. In Their Eyes Were Watching God, Nanny provides a mothering archetype that inspires a dominant theme and practice—the black maternal, within contemporary black …
Harlem Renaissance (1919-1929), A Yemisi Jimoh, Phd
Harlem Renaissance (1919-1929), A Yemisi Jimoh, Phd
Afro-American Studies Faculty Publication Series
No abstract provided.
Harlem Renaissance (1919-1929), A Yęmisi Jimoh, Phd
Harlem Renaissance (1919-1929), A Yęmisi Jimoh, Phd
A Yęmisi Jimoh
Article on New Negro/Harlem Renaissance era.
Spiritual, Blues, And Jazz People In African American Fiction, A Yemisi Jimoh, Phd
Spiritual, Blues, And Jazz People In African American Fiction, A Yemisi Jimoh, Phd
Afro-American Studies Faculty Publication Series
No abstract provided.
Spiritual, Blues, And Jazz People In African American Fiction, A Yęmisi Jimoh, Phd
Spiritual, Blues, And Jazz People In African American Fiction, A Yęmisi Jimoh, Phd
A Yęmisi Jimoh
Literature and music