Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in African American Studies
Mccartt-Jackson, Sarah (Fa 578), Manuscripts & Folklife Archives
Mccartt-Jackson, Sarah (Fa 578), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid and full text (Click on "Additional Files" below) for Folklife Archives Project 578. Paper by Sarah McCartt-Jackson titled “Narrative Compromise: African American Representation at Henry Clay’s Ashland Estate.” Paper provides analysis of the inclusion and accuracy of the history of slavery at Ashland, and slavery’s depiction in tour narratives, brochures, exhibit signage, advertisements, and websites. This project won the 2011Folklife Archives Award competition at Western Kentucky University.
Reading Between The Lines Of Slavery: Examining New England Runaway Ads For Evidence Of An Afro-Yankee Culture, Lauren Landi
Reading Between The Lines Of Slavery: Examining New England Runaway Ads For Evidence Of An Afro-Yankee Culture, Lauren Landi
Pell Scholars and Senior Theses
This paper focuses on New England slavery and the way Africans and African-Americans were able to infuse aspects of the dominant English culture and their combined African heritage into their own Afro-Yankee culture. They created their own American identity, in which they adopted and at times mocked the very culture that placed them in this system of bondage. By looking at runaway advertisements from the colonial era we can see evidence of an Afro-Yankee culture that is clearly visible in the clothes slaves wore, the hairstyles they kept, their mannerisms, talents, and overall presence.
"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner
"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner
Theatre Faculty Articles and Research
This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …