African American Studies Commons^™

Jean Toomer's Cane: A Work In The American Grotesque Genre, Kathryn M. Olsen

Masters Theses

In my thesis I will discuss the fact that Jean Toomer’s Cane is a grotesque work, one which in several ways resembles Sherwood Anderson’s Winesburg, Ohio. While Jean Toomer never specifically alludes to any of the characters in Cane as grotesques, they consistently exhibit three of the strongest, most characteristic elements of the grotesque: physical and/or psychic deformities, alienation from the reader/viewer, and, most importantly, unrelenting conflict from two opposing elements. In fact, the figures in Cane show even more development of grotesque themes than the characters in Winesburg, Ohio, a collection known for its portrayals of modern …

Commentary: Trotter Review, Vol. 1, Issue 2, Wornie L. Reed

Trotter Review

This issue of the Trotter Institute Review is devoted to the portrayal of blacks in the media. The mass media can be a positive or negative force in the struggle for racial progress. Unfortunately, the black community faces media that provide many negative influences. Consequently, there is a continuing need to address this issue.

The mass media is a major instrument of socialization in the American society. As such, it helps to determine how an individual sees the world. The prevailing definitions of social reality and social problems, as well as the characterization of groups of individuals, are learned through …

Reel Blacks: Blacks In Disguise, Patricia A. Turner

Trotter Review

Gremlins and Little Shop of Horrors are very likeable films. The former is rather charming, and the latter is one of the most originally-rendered musicals ever produced. Indeed, it is the positive surface of the films that makes their underlying message so insidious. Fortunately, the final twist common to both films can give solace to the viewer who would like to see the disguised blacks triumph. At the end of Gremlins the original Mogwi is still alive, albeit back in the capable hands of the mysterious Chinese man, and Little Shop closes as the camera follows Seymour and Audrey into …

Reel Blacks: Everything Is Not Satisfactual, Patricia A. Turner

Trotter Review

An unaccompanied black adult female at a matinee performance of Song of the South is about as out of place as Big Bird at a cockfight. However, having encouraged the students in my course on black media images to see the film during its fortieth anniversary run, I felt obligated to reexamine it myself. So there I sat, surrounded by exuberant white pre-schoolers and their parents, watching as animation and live action seamlessly interchanged on the screen in Walt Disney’s adaptation for Joel Chandler Harris’ classic collection of Afro-American folktales.