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Articles 1 - 16 of 16
Full-Text Articles in African American Studies
Women Of African Descent: Persistence In Completing A Doctorate, Vannetta L. Bailey-Iddrisu
Women Of African Descent: Persistence In Completing A Doctorate, Vannetta L. Bailey-Iddrisu
Vannetta L. Bailey-Iddrisu
This study examines the educational persistence of women of African descent (WOAD) in pursuit of a doctorate degree at universities in the southeastern United States. WOAD are women of African ancestry born outside the African continent. These women are heirs to an inner dogged determination and spirit to survive despite all odds (Pulliam, 2003, p. 337).This study used Ellis’s (1997) Three Stages for Graduate Student Development as the conceptual framework to examine the persistent strategies used by these women to persist to the completion of their studies.
Belief And Performance, Morrison And Me, Koritha Mitchell
Belief And Performance, Morrison And Me, Koritha Mitchell
Koritha Mitchell
A chapter discussing the lessons I learned from Toni Morrison's THE BLUEST EYE that continue to guide me. The insights gained from that novel have informed my intellectual work and my ability to navigate the U.S. academy.
Toni Morrison, Oprah Winfrey, And Postmodern Popular Audiences, John K. Young
Toni Morrison, Oprah Winfrey, And Postmodern Popular Audiences, John K. Young
John K. Young
In this essay the author examines the "Oprah Effect" on the career of Toni Morrison, who after three appearances on "Oprah's Book Club" has become the most dramatic example of postmodernism's merger between Morrison's canonical status and Winfrey's commercial power has superseded the publishing industry's field of normative whiteness, enabling Morrison to reach a broad, popular audience while being marketed as artistically important.
A. Philip Randolph And Boston's African-American Railroad Worker, James R. Green, Robert C. Hayden
A. Philip Randolph And Boston's African-American Railroad Worker, James R. Green, Robert C. Hayden
James R. Green
On October 8, 1988, a group of retired Pullman car porters and dining car waiters gathered in Boston's Back Bay Station for the unveiling of a larger-than-life statue of A. Philip Randolph. During the 1920s and 1930s, Randolph was a pioneering black labor leader who led the Brotherhood of Sleeping Car Porters. He came to be considered the "father of the modern civil rights movement" as a result of his efforts to desegregate World War II defense jobs and the military services. Randolph's importance as a militant leader is highlighted by a quote inscribed on the base of the statue …
Tupac In The Classroom: From Cointelpro To Critical Consciousness, Jesse Benjamin
Tupac In The Classroom: From Cointelpro To Critical Consciousness, Jesse Benjamin
Jesse Benjamin
No abstract provided.
"People Want To See What Happened": Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell Thomas
"People Want To See What Happened": Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell Thomas
Lynnell Thomas
Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …
Hollywood's White Legal Heroes And The Legacy Of Slave Codes, Katie Rose Guest Pryal
Hollywood's White Legal Heroes And The Legacy Of Slave Codes, Katie Rose Guest Pryal
Katie Rose Guest Pryal
This chapter explores the portrayal of black defendants in mainstream legal cinema and draws connections between these portrayals, the legacy of slave codes, and the Supreme Court's rejection of statistical and historical proof of racism in the application of the death penalty. I focus on a sub-genre of legal cinema, what I call the "White Legal Hero" narrative. The typical white legal hero film tells the story of an innocent or otherwise righteous black male defendant facing a capital charge. He is represented by a white male "hero" lawyer who tries to overcome the racist justice system. The failure of …
Finger Lickin’ Good: An Analytical Investigation Into The Urban Diet, Jennifer T.R. Tomlinson
Finger Lickin’ Good: An Analytical Investigation Into The Urban Diet, Jennifer T.R. Tomlinson
Jennifer T.R. Tomlinson
In this analysis, the origins, customs and implications of fast-food culture will be explored with important focus on the customs of fast-food urban eating. Research indicates that lower-income urban areas are more likely to consume fast-food. The high consumption of fast-food subsequently results in the development of social and economical implications, which include health implications, economic dilemmas, a disconnection between consumers and their consumption and issues of social classification. This analysis also explores the customs of fast-food culture of Pine Hills, Florida with added emphasis on Pine Hills’ cultural uniqueness.
James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell
James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell
Koritha Mitchell
James Baldwin worked tirelessly to expose the myths that allowed Americans to delude themselves. Scholars have long recognized this as the driving force of his fiction and non-fiction, but this mission was also very much linked to Baldwin's conception of theater. This essay culls Baldwin's theater theory from his non-fiction, especially his seldom-discussed The Devil Finds Work (1976). Baldwin believed that theater could "re-create" people by helping us to re-discover our human connection, and he believed that stage actors could show the way. Baldwin's respect for stage actors develops over time, however. He reaches his conclusions only after realizing—in hindsight—how …
The Cambridge Companion To African American Theatre, Harvey Young
The Cambridge Companion To African American Theatre, Harvey Young
Harvey Young
This Companion provides a comprehensive overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community, including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the 'New Negro' and 'Black Arts' movements. Leading scholars spotlight the producers, directors, playwrights and actors whose efforts helped to fashion a more accurate appearance of Black life on stage, and reveal the impact of African American theatre both within the United …
Reimaging A Raisin In The Sun: Four New Plays, Harvey Young
Reimaging A Raisin In The Sun: Four New Plays, Harvey Young
Harvey Young
n 1959, Lorraine Hansberry’s A Raisin in the Sun energized the conversation about how Americans live together across lines of race and difference. In Reimagining “A Raisin in the Sun,” Rebecca Ann Rugg and Harvey Young bring together four contemporary plays—including 2011 Pulitzer Prize for Drama winner Clybourne Park—that, in their engagement with Hansberry’s play, illuminate the tensions and anxieties that still surround neighborhood integration. Although the plays—Robert O’Hara’s Etiquette of Vigilance, Gloria Bond Clunie’s Living Green, Branden Jacobs-Jenkins’s Neighbors, and Bruce Norris’s Clybourne Park—are distinct from one another in terms of style and perspective on their predecessor, they commonly …
Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith Smith
Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith Smith
Judith E. Smith
The independently made 1964 film Nothing But a Man is one of a handful of films whose production coincided with new civil rights insurgency and benefited from activists' input. Commonly listed in 1970s surveys of black film, the film lacks sustained critical attention in film studies or in-depth historical analysis given its significance as a landmark text of the 1960s. Documentary-like, but not a documentary, it offers a complex representation of black life, but it was scripted, directed, and filmed by two white men, Michael Roemer and Robert Young. This essay argues that the film's unusual attention to labor and …
The Influence Of Lloyd Richards, Harvey Young
Social Justice In Turbulent Times: Critical Race Theory And Occupy Wall Street, Nick J. Sciullo
Social Justice In Turbulent Times: Critical Race Theory And Occupy Wall Street, Nick J. Sciullo
Nick J. Sciullo
In this brief article, I tackle several issues that are critically important to progressive move(ment)s in the law and in society as a whole. I am convinced that the progressive community can make great strides in enriching the law and people’s experience with it through continued articulation and combined sense of theory and practice. We need to move beyond litigation and engage our critical consciousness to embrace activism on all fronts. This is why I locate a positive politics of struggle in the Occupy Movements that I believe progressives ought to embrace . We must simultaneously come to grips with …
Nostalgia For The Liberal Hour: Talkin' 'Bout The Horizons Of Norman Jewison's Generation, Daniel Mcneil
Nostalgia For The Liberal Hour: Talkin' 'Bout The Horizons Of Norman Jewison's Generation, Daniel Mcneil
Daniel McNeil
Soft Rock, Vincent L. Stephens
Soft Rock, Vincent L. Stephens
Vincent L Stephens
Soft rock refers to melodic vocal music with romantic themes and lush production typically associated with middle-aged taste cultures. I define the genre's place in the history of radio broadcasting, controversies over its artistic merit and its eclectic aesthetic.