African American Studies Commons^™

Plotting The Plantationocene With The History Of Mary Prince, Shelby Johnson

ABO: Interactive Journal for Women in the Arts, 1640-1830

In this essay, I consider how The History of Mary Prince, A West Indian Slave, Related by Herself (1831) extends vital affordances for assembling a literary history of ecological rupture, settler colonialism, and transatlantic slavery. These insights arise from my experiences teaching Prince in “Plotting the Plantationocene in Early Atlantic Literature” (Fall 2021), a course which took up what it means to orient to historical formations of climate change as co-emergent with plantation systems. I argue that my students explored how figures like Prince open politically vibrant pathways for being in the world otherwise to plantation modernity.

Intercessory Power: A Literary Analysis Of Ethics And Care In Toni Morrison’S Song Of Solomon, Alice Walker’S Meridian, And Toni Cade Bambara’S Those Bones Are Not My Child, Kelly Mills

USF Tampa Graduate Theses and Dissertations

The purpose of this study is to examine post-Reconstruction literature as an intercessor that creates a common memory among readers and activates them as ethical agents who can move through retributive violence rather than enact violence. With the increase of racial violence in the United States, it is essential to find ways to end the cycle of retributive violence and establish a justice system that does not marginalize individuals but forges connections in the midst of oppression. This literary analysis engages three novels—Toni Morrison’s Song of Solomon, Alice Walker’s Meridian, and Toni Cade Bambara’s Those Bones Are Not My Child: …

Negotiating The Delta: Dr. T.R.M. Howard In Mound Bayou, Mississippi, William Jackson Southerland

USF Tampa Graduate Theses and Dissertations

This paper examines the racially segregationist practices and the integrationist, inclusionist formation of African American leader Dr. T.R.M. Howard during his tenure as a surgeon and entrepreneur in the all-black Mississippi Delta community of Mound Bayou, 1942-1956. The paper analytically investigates the careful racial negotiations that were required of Howard as he advanced a separatist but egalitarian economic and social plan for Delta blacks. This separatist plan, it is argued, is grounded in the racial pragmatism of the Seventh-day Adventist church which provided a bibliocentric, Tuskegee-inspired education to Howard from youth through medical school and beyond. Howard’s adherence to Adventist …

Finding A Home: Latino Residential Influx Into Progress Village, 1990-2010, Christopher Julius Pineda

USF Tampa Graduate Theses and Dissertations

Progress Village in Tampa Florida was developed in the late 1950s in response to the dislocation of black families during the construction of Interstate-4. Furthermore this community became an opportunity for many black and more specifically, African American families, to live in a community devoid of racist attitudes and tensions rampant in inner city Tampa at the time. For over thirty years this community’s residential population was overwhelmingly (90 percent) black or African American. In the 1990s though this community would begin to experience the first wave of Latino residents and by 2000 this group would comprise over 2 percent …

'She Shall Not Be Moved': Black Women's Spiritual Practice In Toni Morrison's The Bluest Eye, Beloved, Paradise, And Home, Rondrea Danielle Mathis

USF Tampa Graduate Theses and Dissertations

‘She Shall Not Be Moved’: Black Women’s Spiritual Practice in Toni Morrison’s The Bluest Eye, Beloved, Paradise, and Home argues that from The Bluest Eye, Morrison’s debut novel, to her 2012 novel, Home, Morrison brings her female characters to voice, autonomy, and personal divinity through unconventional spiritual work. The project addresses the history of Black women’s activist and spiritual work, Toni Morrison’s engagement with unconventional spiritual practice, and closes with a personal interrogation of the author’s connection to Black women’s spiritual practice.

Caribbean Traditions In Modern Choreographies: Articulation And Construction Of Black Diaspora Identity In L'Ag'ya By Katherine Dunham, Viktoria Tafferner-Gulyas

USF Tampa Graduate Theses and Dissertations

The interdisciplinary field of Dance Studies as a separate arena focusing on the social, political, cultural, and aesthetic aspects of human movement and dance emerged in the late 1980s and early 1990s. Dance criticism integrated Dance Studies into the academy as critics addressed the social and cultural significance of dance. In particular, Jane Desmond created an integrated approach engaging dance history and cultural studies; in the framework of her findings, dance is read as a primary social text. She emphasizes that movement style is an important mode of distinction between social groups, serving as a marker for the production of …

The Black Freedom Struggle And Civil Rights Labor Organizing In The Piedmont And Eastern North Carolina Tobacco Industry, Jennifer Wells

USF Tampa Graduate Theses and Dissertations

This thesis examines labor organizing in the U.S. South, specifically the Piedmont and eastern regions of North Carolina in the mid-twentieth century. It aims to uncover an often overlooked local history of civil rights labor organizing which challenged the southern status quo before America's 'mainstream' civil rights era of the 1950s and 1960s. This study argues that through labor organizing, African American tobacco workers challenged the class, gender, and race hierarchy of North Carolina's very profitable tobacco industry during the first half of the twentieth century. In doing so, the thesis contributes to the historiography of black working class protest, …

Postcolonial Religion And Motherhood In The Novels By Louise Erdrich And Alice Walker, Kateryna Chornokur

USF Tampa Graduate Theses and Dissertations

This thesis is a comparative analysis of the works of the Native American author Louise Erdrich (Love Medicine, Tracks) and the African American writer Alice Walker (The Color Purple). Originating from different cultural traditions, Native American and African American women writers address common themes in their novels because of their common colonial background. One of the main themes in their writings is that of religion. Despite becoming victims of Christianity used as a means of cultural colonization, both African American and Native American communities reinterpret it in terms of their traditional religious beliefs and create a new, unique hybridized form …

Understanding Social Integration And Student Involvement As Factors Of Self-Reported Gains For African American Undergraduate Women, Edna Jones Miller

USF Tampa Graduate Theses and Dissertations

Diversity of student populations within higher education has considerably increased, particularly for women and minority populations, which is indicative of greater access to education toward a college degree. However, increased diversity of student populations has introduced a new set of challenges for higher education administrators in that it is becoming increasingly difficult for administrators to maintain current educational methods when considering the changing needs of matriculating students. As a result, higher education institutions are compelled to strategize beyond the "one-size-fits all" approach in the way teaching and support services are delivered in order to provide a more holistic approach to …

"You Understand Me Now": Sampling Nina Simone In Hip Hop, Amanda Renae Modell

USF Tampa Graduate Theses and Dissertations

The overarching goal of this research is to explicate the implications of hip hop artists sampling Nina Simone's music in their work. By regarding Simone as a critical social theorist in her own right, one can hear the ways that hip hop artists are mobilizing her tradition of socially active self-definition from the Civil Rights/Black Power era(s) in the post-2000 United States. By examining both the lyrics and the instrumental compositions of Lil Wayne, Juelz Santana, Common, Tony Moon, Talib Kweli, Mary J. Blige and Will.I.Am, G-Unit and Timbaland, and bearing in mind the intersecting oppressions of race, class, gender, …

Shifting Blackness: How The Arts Revolutionize Black Identity In The Postmodern West, Reginald Eldridge Jr

USF Tampa Graduate Theses and Dissertations

The contemporary experiences of racially marginalized people in the West are affected deeply by the hegemonic capitalist Orthodox cultural codes, or episteme, in which blackness operates as the symbol of Chaos. As it relates to people of African descent, these affects are marked by a denial of the black person's full status as an unproblematic subject, by ontological voids arising from the practice of enslavement over the past centuries, and by problems of representation within the West, where examples and points of reference for black identity are always tied up with conflicting interests.

Utilizing Sylvia Wynter's model of the Ceremony …