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Full-Text Articles in African American Studies
Belief And Performance, Morrison And Me, Koritha Mitchell
Belief And Performance, Morrison And Me, Koritha Mitchell
Koritha Mitchell
A chapter discussing the lessons I learned from Toni Morrison's THE BLUEST EYE that continue to guide me. The insights gained from that novel have informed my intellectual work and my ability to navigate the U.S. academy.
Toni Morrison, Oprah Winfrey, And Postmodern Popular Audiences, John K. Young
Toni Morrison, Oprah Winfrey, And Postmodern Popular Audiences, John K. Young
John K. Young
In this essay the author examines the "Oprah Effect" on the career of Toni Morrison, who after three appearances on "Oprah's Book Club" has become the most dramatic example of postmodernism's merger between Morrison's canonical status and Winfrey's commercial power has superseded the publishing industry's field of normative whiteness, enabling Morrison to reach a broad, popular audience while being marketed as artistically important.
James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell
James Baldwin, Performance Theorist, Sings The Blues For Mister Charlie, Koritha Mitchell
Koritha Mitchell
James Baldwin worked tirelessly to expose the myths that allowed Americans to delude themselves. Scholars have long recognized this as the driving force of his fiction and non-fiction, but this mission was also very much linked to Baldwin's conception of theater. This essay culls Baldwin's theater theory from his non-fiction, especially his seldom-discussed The Devil Finds Work (1976). Baldwin believed that theater could "re-create" people by helping us to re-discover our human connection, and he believed that stage actors could show the way. Baldwin's respect for stage actors develops over time, however. He reaches his conclusions only after realizing—in hindsight—how …
Soft Rock, Vincent L. Stephens
Soft Rock, Vincent L. Stephens
Vincent L Stephens
Soft rock refers to melodic vocal music with romantic themes and lush production typically associated with middle-aged taste cultures. I define the genre's place in the history of radio broadcasting, controversies over its artistic merit and its eclectic aesthetic.