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Articles 1 - 14 of 14
Full-Text Articles in African American Studies
The Burdens And Blessings Of Responsibility: Duty And Community In Nineteenth- Century America, Leslie Leonard
The Burdens And Blessings Of Responsibility: Duty And Community In Nineteenth- Century America, Leslie Leonard
Doctoral Dissertations
The Burdens of Responsibility traces the emergence of moral responsibility as both a concept and problem in the nineteenth-century United States. Drawing on a range of sources –works of literature, philosophy, domestic manuals, newspaper archives – I show how many Americans began to conceive of moral responsibility as distinct from both duty and rules of behavior prescribed by traditional social roles. Although ethicists today take this distinction for granted, it was an emergent and problematic space in the nineteenth-century United States, brought into being by historical forces, including the rise of market capitalism, abolition, changing women’s roles, and increasing concern …
African American Literary Traditions In Justina Ireland’S Young Adult Novels Dread Nation And Deathless Divide, Gabrielle Sleeper
African American Literary Traditions In Justina Ireland’S Young Adult Novels Dread Nation And Deathless Divide, Gabrielle Sleeper
Honors Program Theses and Projects
Justina Ireland’s young adult novels Dread Nation (2017) and Deathless Divide (2020) tell the story of a Black girl by the name of Jane living in the aftermath of the Civil War, around 1880.
“We Got More Yesterday Than Anybody”: Child Ghosts And The National Trauma Of Anti-Black Racism In American Literature, Megan Swartzfager
“We Got More Yesterday Than Anybody”: Child Ghosts And The National Trauma Of Anti-Black Racism In American Literature, Megan Swartzfager
Honors Theses
This thesis examines the roles of haunting in the context of racial violence in three texts: Beloved by Toni Morrison, Sing, Unburied, Sing by Jesmyn Ward, and Wolf Whistle by Lewis Nordan. In each of these texts, a parent is responsible for the death of a child. In the former two texts, both by Black authors, a Black parent kills a Black child in what they believe to be a protective act in the face of violence by white people. Wolf Whistle, however, written by a white author, is animated by the ghost of a character based on Emmett Till. …
The Gothic Other: A Critique Of Race, Gender, Slavery, And Systemic Oppression Found In Nathaniel Hawthorne, Toni Morrison, And Hannah Crafts, Kelly Franklin
The Gothic Other: A Critique Of Race, Gender, Slavery, And Systemic Oppression Found In Nathaniel Hawthorne, Toni Morrison, And Hannah Crafts, Kelly Franklin
Boise State University Theses and Dissertations
This thesis examines three novels all communicating ideas about race, gender, and slavery under the conventions of Gothic literature. Nathaniel Hawthorne’s The House of the Seven Gables (1851) show how patriarchy oppressed and haunted women while keeping slavery at the margins. Beloved (1987), by Toni Morrison, fictionalizes the account of a female slave who murdered her child to assert her power and reject slavery. However, Morrison rewrites and defies aspects of the Gothic mode by bringing the ghost of the murdered child back to life, and later showing steps the community can take to heal from their collective trauma. The …
Contesting Slavery In The Global Market: John Brown’S Slave Life In Georgia, Michael Drexler, Stephanie Scherer
Contesting Slavery In The Global Market: John Brown’S Slave Life In Georgia, Michael Drexler, Stephanie Scherer
Faculty Journal Articles
John Brown, author of Slave Life in Georgia, published in London in 1854, proffered a radical approach to ending slavery in the USA in step with Marxian economics. In this paper, we will explain how Brown’s representation of subjectivity may have caused critics to neglect it. Brown treats freedom as something foreign and external. He has to learn what freedom means, first through exposure to a model of liberal citizenship and then through the experience of several modulations of fugitive liberty. Brown’s social world is wholly determined by external forces. Whether slave or freeman, he faces ambiguous situations. Is …
“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch
“I’Ve Known Rivers:” Representations Of The Mississippi River In African American Literature And Culture, Catherine Gooch
Theses and Dissertations--English
My dissertation, titled “I’ve Known Rivers”: Representations of the Mississippi River in African American Literature and Culture, uncovers the impact of the Mississippi River as a powerful, recurring geographical feature in twentieth-century African American literature that conveys the consequences of capitalist expansion on the individual and communal lives of Black Americans. Recent scholarship on the Mississippi River theorizes the relationship between capitalism, geography, and slavery. Walter Johnson’s River of Dark Dreams: Slavery and Empire in the Cotton Kingdom, Sven Beckert’s Empire of Cotton: A Global History, and Edward Baptist’s The Half Has Never Been Told: Slavery and the …
Douglass’ Reply To A. C. C. Thompson’S ‘Letter From Frederick Douglass,’ As Reprinted In The Anti-Slavery Bugle: A Critical Edition Of Both Letters, With A Summary Of Maryland’S Fugitive Slave Laws, Kayla Hardy-Butler
Nineteenth-Century Ohio Literature
Kayla Hardy-Butler presents a famous letter by Frederick Douglass, as it was published in Ohio, with the letter that prompted it. This edition also includes a summary of Maryland slave statutes from the time to better explain the day-to-day experience of slavery debated in this correspondence.
A Canada In The South: Marronage In Antebellum American Literature, Sean Gerrity
A Canada In The South: Marronage In Antebellum American Literature, Sean Gerrity
Dissertations, Theses, and Capstone Projects
This dissertation considers maroons—enslaved people who fled from slavery and self-exiled to places like swamps and forests—in the textual and historical worlds of the pre-Civil War United States. I examine a counter-archive of US literature that imagines marronage as offering alternate spaces of freedom, refuge, and autonomy outside the unidirectional South-to-North geographical trajectory of the Underground Railroad, which has often framed the story of freedom and unfreedom for African Americans in pre-1865 US literary and cultural studies. Broadly, I argue that through maroons we can locate alternate spaces of fugitive freedom within slaveholding territory, thereby complicating fixed notions of the …
Reconciling The Past In Octavia Butler's Kindred, Haley V. Manis
Reconciling The Past In Octavia Butler's Kindred, Haley V. Manis
Electronic Theses and Dissertations
This thesis uses the observations of Nancy J. Peterson on historical wounds as a springboard to discuss Octavia Butler’s novel Kindred and its use of both white and black characters to reexamine the origins of the historical wounds and why they are so difficult to deal with even today. Other scholarly works will be used to further investigate the importance of each character in the story and what they mean to the wound itself. Specifically, Dana is analyzed alongside the other main characters: Rufus, Alice, and Kevin. Though Dana’s relationships with these characters, Kindred’s version of the past can be …
"The Imagination And Construction Of The Black Criminal In American Literature, 1741-1910", Emahunn Campbell
"The Imagination And Construction Of The Black Criminal In American Literature, 1741-1910", Emahunn Campbell
Doctoral Dissertations
My dissertation examines the origins of the perception of black people as criminally predisposed by arguing that during eighteenth and nineteenth-century America, crime committed by black people was used as a major trope in legal, literary, and scientific discourses, deeming them inherently criminal. Furthermore, I contend that enslaved and free black people often used criminal acts, including murder, theft, and literacy, as avenues toward freedom. However, their resistance was used as a justification for slavery in the South and discrimination in the North. By examining a diverse set of materials such as confessional literature, plantation management literature, (social) scientific studies, …
Creating Difference: The Legal Production Of Race In American Slavery, Shaun N. Ramdin
Creating Difference: The Legal Production Of Race In American Slavery, Shaun N. Ramdin
Electronic Thesis and Dissertation Repository
This dissertation examines the legal construction and development of racial difference as considered in literature written or set during the final years of American slavery. While there had consistently been a conceptual correspondence between black skin and enslavement, race or racial difference did not become the unqualified explanation of enslavement until fairly late in the institution’s history. Specifically, as slavery’s stability became increasingly threatened through the nineteenth century by abolitionism and racial slippage, race became the singular and explicit rationale for its existence and perpetuation. I argue that the primary discourse of this justificatory rationale was legal: through law race …
Le Mélange Of Francophone Culture In William Wells Brown’S Clotel, Sandra Andrade
Le Mélange Of Francophone Culture In William Wells Brown’S Clotel, Sandra Andrade
Undergraduate Review
In Clotel; Or, The President’s Daughter, William Wells Brown argues that for fugitive African American slaves France represented freedom. This connection between African Americans and France that is familiar to many Americans in the twentieth century was existent at the time of Brown’s own escape. The Francophone culture became a major motivator in the author’s personal life and also in his writings. This project covers many themes, including the “tragic mulatta”, American identity, American freedom and slavery, and explores readings from Anna Brickhouse’s Transamerican Literary Relations and the Nineteenth-Century Public Sphere, and Eve A. Raimon’s The Tragic Mulatta …
"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance
"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance
English Faculty Publications
Throughout their experiences in this country, certain segments of the Black population have viewed themselves as enslaved, whether they were chattel owned by slaveowners prior to emancipation, whether they were impressed into peonage and forced to work on white plantations and in chain gangs after slavery, whether they were victims of sharecropping systems that virtually reenslaved them during the twentieth century, whether they were the repressed and disfranchised and persecuted in Southern Jim Crow towns throughout the first half of the twentieth century, whether they are those trapped by unemployment and poverty today, or whether they are among the Blacks …
Wit And Humor In The Slave Narratives, Daryl Cumber Dance
Wit And Humor In The Slave Narratives, Daryl Cumber Dance
English Faculty Publications
This passage suggests something of the nature of Black humor and the function it has served, not only in the slave narratives, but in the folk tales and throughout the history of recorded literature from William Wells Brown to Amiri Baraka. The life revealed in all of these sources is shown to often be alternately degrading and courageous, tragic and absurdly comic, hopeless and yet enduring; indeed that life could hardly ever be termed merely amusing. And the Black character, though he may be seen to laugh, can hardly be deemed carefree, unbothered, satisfied, even truly happy. Indeed the paradox …