Open Access. Powered by Scholars. Published by Universities.®

History of Philosophy Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 2 of 2

Full-Text Articles in History of Philosophy

Desire Informing Philosophy In Plato: The Lover, The Tyrant, And The Citizen, Christian P. Bagrow Sep 2022

Desire Informing Philosophy In Plato: The Lover, The Tyrant, And The Citizen, Christian P. Bagrow

Dissertations, Theses, and Capstone Projects

Desire informs the good and examined life by giving meaning to and requiring training for human drives. In investigating Plato’s dialogues for how desire informs philosophy, comparison gives way to a genealogical hermeneutic; the obvious want to find changes or discrepancies in Plato’s texts, and Socrates’ words, gives way to interpreting congruent transformations of thought throughout his corpus. Specifically, this thesis evaluates desire’s multitude of signification and significance through the following the chronology: Symposium, Phaedrus, Republic, Statesman, and Laws. That human failing and ambition equally find desire couched between lack and satiation is radically reconsidered in the course of …


The Music Of Sylvano Bussotti And Its Interpretation: Biopolitics, Intersubjectivity, And Modernist Canon Formation, Charles A. Rudig Sep 2022

The Music Of Sylvano Bussotti And Its Interpretation: Biopolitics, Intersubjectivity, And Modernist Canon Formation, Charles A. Rudig

Dissertations, Theses, and Capstone Projects

The music of Italian composer Sylvano Bussotti (1931–2021) presents intentional challenges to interpretation and canonization. These particular challenges and Bussotti’s reasoning for implementing them are interrogated in this dissertation by reading the score to Bussotti’s La Passion selon Sade (1966) through contemporaneous European social theory, philosophy, and political developments. La Passion selon Sade is a theatre piece for a chamber ensemble, with a primary vocal and dramatic role written for mezzo-soprano Catherine Berberian, with whom Bussotti frequently collaborated. Like much of Bussotti’s music from the 1950s and 1960s, the discourse surrounding the piece and its reception largely relates to its …