Open Access. Powered by Scholars. Published by Universities.®
Ethics and Political Philosophy Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Bilingual, Multilingual, and Multicultural Education (1)
- Civic and Community Engagement (1)
- Civil Rights and Discrimination (1)
- Communication (1)
- Comparative Politics (1)
-
- Counseling (1)
- Counselor Education (1)
- Critical and Cultural Studies (1)
- Developmental Psychology (1)
- Education (1)
- Ethics in Religion (1)
- Inequality and Stratification (1)
- International and Area Studies (1)
- International and Comparative Education (1)
- Interpersonal and Small Group Communication (1)
- Law (1)
- Law and Politics (1)
- Leadership Studies (1)
- Mass Communication (1)
- Metaphysics (1)
- Multicultural Psychology (1)
- Other Communication (1)
- Other Education (1)
- Other International and Area Studies (1)
- Other Philosophy (1)
- Other Political Science (1)
- Other Religion (1)
- Institution
Articles 1 - 2 of 2
Full-Text Articles in Ethics and Political Philosophy
A Primary Human Challenge, Carroy U. Ferguson
A Primary Human Challenge, Carroy U. Ferguson
Carroy U "Cuf" Ferguson, Ph.D.
We may ask why, at both the individual and collective levels, it has seemed so difficult for us to choose to evolve our human games with Joy. There is no one answer for such a question, for each of us has the gift of free will. I will suggest, however, that built into our human games is what I call a primary human challenge. That primary human challenge is a dynamic tension, flowing from our creative urge for the freedom “to be” who we really are in our current physical form, and simultaneously to embrace our responsibility for our Being-ness.
Heidegger E O Caráter Historial-Político Da Obra De Arte, Andre De Macedo Duarte
Heidegger E O Caráter Historial-Político Da Obra De Arte, Andre De Macedo Duarte
Andre de Macedo Duarte
The text discusses the historial-political character attributed by Heidegger to the artwork in his 1936 essay “The origin of the work of art”. The main argument is that Heidegger’s analysis of the artwork is simultaneously an inquiry into the possibility of a new beginning in history by means of a genuine appropriation of history, a subject-matter that was altogether absent during the project of fundamental ontology. The essay on the artwork is considered as a first step in Heidegger’s formulation of his later thesis concerning Western history as the history of Being. Incidentally, this shift in Heidegger’s understanding of history …