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Revisiting Tocqueville's American Woman, Christine Dunn Henderson

Research Collection College of Integrative Studies

This paper revisits Tocqueville’s famous portrait of the American female, which begins with assertions of her equality to males but ends with her self-cloistering in the domestic sphere. Taking a cue from Tocqueville’s extended sketch of the “faded” pioneer wife in “A Fortnight in the Wilderness” and drawing connections to Tocqueville’s criticisms of the division of industrial labor, I argue that the American girl’s ostensibly free choice to remove herself from public life is not an act of freedom. Rather, it is a manifestation of a particular type of unfreedom that reveals underappreciated connections between the two great dangers about …