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Full-Text Articles in Musicology
The Early Lieder Of Josephine Lang: A Comparative Study, Rachel E. Cisneros
The Early Lieder Of Josephine Lang: A Comparative Study, Rachel E. Cisneros
LSU Master's Theses
Josephine Lang's contribution to nineteenth-century song has been increasingly recognized in recent scholarship. This is largely because of Harald Krebs’s and Sharon Krebs's groundbreaking book, Josephine Lang: Her Life and Songs (2007). In their book, Krebs and Krebs draw information about Lang’s life from two early biographies, the first written during Lang’s lifetime by Ferdinand Hiller and the second written after her death by her son Heinrich Adolf Köstlin. Primary sources fill in the gaps that these two nineteenth-century biographies left open. For example, the letters between Lang and her correspondents also reveal much about her social reputation, financial hardships, …
A Bird’S Eye View: Large-Scale Tonal Structures In Robert Schumann’S Four Song Cycles (Op. 42, 24, 39, And 48), Peter Kramer
A Bird’S Eye View: Large-Scale Tonal Structures In Robert Schumann’S Four Song Cycles (Op. 42, 24, 39, And 48), Peter Kramer
Dissertations, Theses, and Capstone Projects
Some of Robert Schumann’s most notable works are his Lieder for solo voice and piano accompaniment. Schumann's Lieder are considered some of the best compositions in this genre, engendering various interpretations by performers and exciting vigorous debate among musicologists and theorists. Robert Schumann’s early music was almost entirely composed for the piano alone; it wasn’t until 1840 that he started to compose almost exclusively Lieder and song cycles inspired by his predecessors Beethoven and Schubert. This was a prolific year for Schumann compositionally, in part due to his marriage to Clara Schumann who was one of Europe’s most preeminent piano …
Data Scraping Youtube For The Study Of Lieder Reception, Rachel E. Scott
Data Scraping Youtube For The Study Of Lieder Reception, Rachel E. Scott
Faculty and Staff Publications – Milner Library
A growing body of literature has shifted aesthetic attention from composition to performance, or the performing activity, and asserts that the act of performance creates meaning. Scholars have emphasized differences between the passive consumption and active making of – or even listening to – music. As I sought to understand the impact of performance on Alma Mahler's legacy, I identified the need to gather as much data as possible on who, what, where, when, why, and how her songs were performed. This need led me to evaluate the metadata associated with recordings of Alma Mahler's songs in the WorldCat union …