Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Musicology
"Now, Then, Then:" An Original Composition And Examination Of The Influence Of Blues, Bluegrass, And Rock In Western Concert Music, David Klock
Electronic Theses and Dissertations
This thesis examines four pieces by three composers and one creative team, focusing on connections to bluegrass, blues, and rock music in each. The pieces are Raphael by Bryce Dessner, Cognitive Consonance II: Westering by Christopher Trapani, Bog Bodies and other Macabre Miniatures by Nicolas Lell Benavides, and “Three Dots and a Dash” by Punch Brothers. Each of these works uses distinct instrumentations, but every ensemble includes guitar in some fashion. This examination informs the original composition entitled Now, Then, Then, scored for violin, cello, electric guitar, and marimba. In this original composition, Klock uses devices found within these …
“An Attractive And Varied Repertoire”: Full-Data List, Christopher Page
“An Attractive And Varied Repertoire”: Full-Data List, Christopher Page
Soundboard Scholar
This document presents the complete set of data analyzed in Christopher Page, “‘An Attractive and Varied Repertoire’: The Guitar Revival of 1860–1900 and Victorian Song,” Soundboard Scholar, no. 8 (2022), https://digitalcommons.du.edu/sbs/vol8/iss1/3.
“An Attractive And Varied Repertoire”: The Guitar Revival Of 1860–1900 And Victorian Song, Christopher Page
“An Attractive And Varied Repertoire”: The Guitar Revival Of 1860–1900 And Victorian Song, Christopher Page
Soundboard Scholar
Most modern histories of the classical guitar are devoted to solo playing. They therefore forego a different kind of history based upon the guitar used as an accompaniment for a singer. This article explores how that alternative history might be framed with reference to England during the long reign of Queen Victoria (1837–1901). This is the ideal laboratory for such an experiment, not least because the compositions of Catharina Pratten (1824–1895), the most influential guitar player of the day, are often thought to reveal a late-Victorian public with little interest in the guitar as a solo resource. Yet the newspaper …