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Full-Text Articles in Musicology
Embodying The Divine Feminine: Doja Cat’S Use Of Vocal Timbre, Text, And Body In Planet Her To Construct A Feminine Soundscape — Annotated Bibliography, Tommy Dainko
Musicology and Ethnomusicology: Student Scholarship
In 2021 Doja Cat released her album Planet Her, an imagination of a planet where there was no bigotry, and everyone could live in peace. The main theme of her album, however, revolves around femininity and the divine feminine. This paper will examine how Doja Cat constructs these concepts through a variety of ways. This paper will use Black feminist work to position Doja Cat’s work as feminist. Through the use of a variety of ‘feminine’ vocal timbres—both hers and from featured artists on her album—Doja Cat creates a feminine soundscape. Doja cat also embraces femininity and embodies the …
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
Dissertations, Theses, and Capstone Projects
In 1930s North America, women—for the first time—were accorded permanent principal positions in significant American orchestras. Edna Phillips, Alice Chalifoux, and Sylvia Meyer, all students of the legendary harp pedagogue Carlos Salzedo, have been celebrated as pioneers for the prestigious employment they obtained in the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony Orchestra, respectively, between 1930 and 1933. Despite the impressiveness of these accomplishments, however, the narrative of their “firstness” is not wholly accurate. In actuality, female harpists have occupied orchestral posts as acting principals, substitutes, and second harpists since the very inception of orchestras. The cause for their early …
Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring
Grrrls, Grrrls, Grrrls: Incorporating Feminist Theory Into Punk Rock Composition, Bryan M. Waring
Composition/Recording Projects
This project argues that one can make rock music with anti-sexist values by incorporating feminist criticism and gendered performance into the composition of punk rock music. To test this thesis, the history of feminism and its implementation within musical discourse were examined. Using feminist music theory as a lens for observation, several songs from female artists and mix-gender bands within the punk genre were analyzed. This was done in order to find similarities in compositional practices and to explore punk rock’s symbolic representations of gender. Areas covered were the expression of jouissance by the proto-punks, the use of détournement by …