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Full-Text Articles in Musicology
Empirical Aesthetics And The Philosophy Of John Cage: A Literature Review And Experimental Study, Braden J. Gillispie
Empirical Aesthetics And The Philosophy Of John Cage: A Literature Review And Experimental Study, Braden J. Gillispie
Honors Projects
This paper examines the musical philosophy of composer John Cage in terms of psychological theories and experimental design. A literature review was first conducted to extract testable hypotheses from Cage’s musical works, writings, and interviews relevant to theories and research in empirical aesthetics. A study was then devised to examine the relationships between cognitive appraisals of the interestingness, enjoyableness, orderliness, and musicality of general sound events, as well as to determine the influence of openness to experience and the effect of two intentional-listening strategies, inspired by Cage’s ideas, on these relationships. Participants (n = 21) completed an openness to …
Uncovering The Confusing Influence Experts Have On Music Copyright Cases, Arata-Enrique Kaku
Uncovering The Confusing Influence Experts Have On Music Copyright Cases, Arata-Enrique Kaku
Honors Projects
Contemporary copyright decisions by Federal Courts perplex composers; am I the creative composer, or am I an infringer on someone else’s intellectual property? By forming a temporary monopoly to monetize new content, copyright protection incentivizes artists to be fruitful. In a creative field like music, an overly broad definition of copyrightable expression can lead to a “chilling effect” on creativity. This chilling effect is exacerbated by the great latitude given expert witnesses to claim infringement based on broad classifications of expressions. My paper addresses the question: To what extent should expert witnesses be probative when they extend ownership rights beyond …