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Full-Text Articles in Musicology
Betrayed By The Bibliographic Record: How Catalogs Construct Authorship And Constrain Their Own Authority, Rachel E. Scott
Betrayed By The Bibliographic Record: How Catalogs Construct Authorship And Constrain Their Own Authority, Rachel E. Scott
Faculty and Staff Publications – Milner Library
This cautionary tale outlines how a librarian with an understanding of and respect for cataloging processes was the perfect candidate to be duped by a false attribution in a bibliographic record. In the process of compiling a list of compositions attributed to Alma Mahler for my dissertation, I encountered a handful of works not yet addressed in the scholarship on her compositional work. Despite numerous red flags, and much to my detriment, I invested a great deal in one of these unqualified and unsubstantiated attributions that turned out to be false. In the wake of this false attribution, I have …
Data Scraping Youtube For The Study Of Lieder Reception, Rachel E. Scott
Data Scraping Youtube For The Study Of Lieder Reception, Rachel E. Scott
Faculty and Staff Publications – Milner Library
A growing body of literature has shifted aesthetic attention from composition to performance, or the performing activity, and asserts that the act of performance creates meaning. Scholars have emphasized differences between the passive consumption and active making of – or even listening to – music. As I sought to understand the impact of performance on Alma Mahler's legacy, I identified the need to gather as much data as possible on who, what, where, when, why, and how her songs were performed. This need led me to evaluate the metadata associated with recordings of Alma Mahler's songs in the WorldCat union …
From “Angelegenheit Großdeutschlands” To “Österreichische Abende”: Programming The 1945 Salzburg Festival, Rachel E. Scott
From “Angelegenheit Großdeutschlands” To “Österreichische Abende”: Programming The 1945 Salzburg Festival, Rachel E. Scott
Faculty and Staff Publications – Milner Library
Österreichische Abende, or Austrian Evenings, were a series unique to the 1945 Salzburg Festival. These six solo recitals, five of which featured singers, highlighted Austrian musical culture by recruiting Austrian performers to perform Austrian music in an Austrian setting. For the first time since the Annexation in 1938, Salzburg Festival administrators had the opportunity, albeit with limited resources, to assert an identity separate from Germany. By leveraging available resources, collaborating strategically with occupiers, evoking nostalgia, and providing a sacred space, these small-scale recitals were integral to the first post-war season of the Salzburg Festival and its subsequent revival.
Taking Her At Her Work: Reconsidering The Legacy Of Alma Mahler, Rachel E. Scott
Taking Her At Her Work: Reconsidering The Legacy Of Alma Mahler, Rachel E. Scott
Faculty and Staff Publications – Milner Library
Alma Mahler (1879–1964) grew up surrounded by artists in late nineteenth-century Vienna. Despite her musical training, demonstrated passion for music, and publication of several Lieder, Mahler’s identity as a composer has remained overshadowed by narratives surrounding her personal life and those of her husbands and lovers, not to mention the artistic work of her husbands and lovers. Increasingly, however, interest in Alma Mahler as a composer has been nurtured through creative engagement with that legacy, and frequently by women authors and artists. This dissertation explores the existing literature written by and related to Alma Mahler and identifies some approaches for …