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Articles 1 - 3 of 3
Full-Text Articles in Musicology
1981: One Or Several Aesthetics?, Jacob Norris
1981: One Or Several Aesthetics?, Jacob Norris
Electronic Thesis and Dissertation Repository
Gilles Deleuze’s monograph on Francis Bacon, The Logic of Sensation (1981), proposes a theory of aesthetic experience that prioritizes the material depths of sensation over stable, identifiable forms. Deleuze’s key references in The Logic of Sensation to playwright Antonin Artaud arouse the suspicion that Artaud’s schizophrenic experience of language, wherein words are reduced to phonetic ramblings, illuminates how Deleuze interprets this chaos of sensation in Bacon’s art. My work therefore calls back to The Logic of Sense (1969) and the first section of his book on Masochism (1967) to explore the waves of consistency between Deleuze’s understanding of language and …
The Political Power Of Carlos Chávez And His Influence Upon Silvestre Revueltas And Blas Galindo, Yolanda Tapia
The Political Power Of Carlos Chávez And His Influence Upon Silvestre Revueltas And Blas Galindo, Yolanda Tapia
Electronic Thesis and Dissertation Repository
This monograph examines the political power of Mexican composer Carlos Chávez (1899–1978) during the first half of the twentieth century in Mexico, and his influence upon the careers and lives of composers Silvestre Revueltas (1899–1940) and Blas Galindo (1910–1993). I show how Carlos Chávez acquired institutional power through various cultural organizations such as the Orquesta Sinfónica de México, the Conservatorio Nacional, Departamento de Bellas Artes, and the Instituto Nacional de Bellas Artes, and how his desire to bind music and culture with politics positioned him as the head of the cultural committee of Miguel Aleman’s presidential campaign of 1945. Chávez’s …
Why You Can Actually Sing: A Study Of Human Evolution And Culture As Influenced By Music, Cassandra E. Haley
Why You Can Actually Sing: A Study Of Human Evolution And Culture As Influenced By Music, Cassandra E. Haley
SASAH 4th Year Capstone and Other Projects: Publications
Cassandra's Community Engaged learning course took her outside of her home faculties of Science and Arts & Humanities to study with Professor S. Wei in the Faculty of Music. For her course, Cassandra became a member of the Viola Studio, and conducted extensive research on music history, aesthetics of music, and human evolution of music to combine her studies in music, SASAH, and genetics.
In her capstone research, Cassandra explored how music has shaped narratives and likewise been controlled by political narratives, how it is different from other forms of communication, and if it is possible to express emotions musically. …