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Full-Text Articles in Musicology
The Ghosts Of Madwomen Past: Historical And Psychiatric Madness On The Late Twentieth-Century Opera Stage, Diana Wu
Electronic Thesis and Dissertation Repository
Insanity has been important to opera since the genre’s inception. For four hundred years, operas have featured characters driven mad by love, jealousy, and shame. In this same time period, however, cultural understandings of what it means to be insane have changed many times. This dissertation explores nine post-1945 British and American operas with mad characters: Gian Carlo Menotti’s The Medium, Igor Stravinsky’s The Rake’s Progress, Benjamin Britten’s Curlew River, Peter Maxwell Davies’s Eight Songs for a Mad King and Miss Donnithorne’s Maggot, Dominick Argento’s The Voyage of Edgar Allan Poe and Miss Havisham’s Fire, …
The Contrabass Tuned In Fifths: Towards An Understanding Of Past And Present Applications., Stephen T. Bright
The Contrabass Tuned In Fifths: Towards An Understanding Of Past And Present Applications., Stephen T. Bright
Electronic Thesis and Dissertation Repository
This dissertation examines the historical and contemporary practices of the contrabass tuned in fifths. Two descriptions of the tuning appear in the late eighteenth century: the three-string tuning, A2, D2, G1 (ADG), and its four-string counterpart, A2, D2, G1, C1 (ADGC). The ADG tuning was officially taught in the Conservatoire de Paris’s contrabass class from 1827 until 1832, when it was superseded by the four-string G2, D2, A1, E1 (GDAE) tuning in fourths for two major reasons: first, the additional whole-tone between open strings compelled contrabassists to shift more frequently; second the tuning’s limited depth (G1) forced contrabassists to use …
Seeing Thro The Musical Eye: Santo Daime, Fuke-Shū, 1960s Psychedelia, And The Antipodes Of Musical Experience, Forest Anthony-Muran
Seeing Thro The Musical Eye: Santo Daime, Fuke-Shū, 1960s Psychedelia, And The Antipodes Of Musical Experience, Forest Anthony-Muran
Electronic Thesis and Dissertation Repository
This thesis investigates the relationships between altered states of consciousness and the musical experience in religious tradition and practice. A common accompaniment to religious worship and ceremony, music is often used as a way of attempting to capture something of the ineffable and to help bring about a mystical experience. In this thesis, I make use of three contrasting case studies – the Brazilian syncretic religion Santo Daime, the historical branch of Zen Buddhism Fuke-shū, and the psychedelic rock of 1960s counterculture – to paint a portrait of the variety of ways that music has been used in different musical …