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Full-Text Articles in Musicology

Is Love A Ladder? Reading Plato With Leonard Bernstein, Joshua T. Parks Aug 2019

Is Love A Ladder? Reading Plato With Leonard Bernstein, Joshua T. Parks

The Hilltop Review

This paper reads Leonard Bernstein's Serenade after Plato's "Symposium" as a careful interpretation of and commentary on Plato's text. While a straightforward reading of Diotima's speech in Plato's Symposium suggests that human relationships are merely an instrumental step toward higher loves, Bernstein's music emphasizes the intrinsic goodness of interpersonal love. The connections between the two works have been dismissed as superficial by critics, but Bernstein's piece is actually carefully engaged with the narrative structure of Plato's text. It therefore encourages a re-reading of Plato's dialogue in which its form shapes and complicates its meaning. By depicting in music the interpersonal …


Tunes, Textures, And Trends: The Transformation Of Johann Walther’S Geistliches Gesangbüchlein (1524, 1525, 1537, 1544, 1551), Emily Marie Solomon Apr 2014

Tunes, Textures, And Trends: The Transformation Of Johann Walther’S Geistliches Gesangbüchlein (1524, 1525, 1537, 1544, 1551), Emily Marie Solomon

Masters Theses

This thesis examines the contents of Geistliches Gesangbüchlein, a sixteenth-­‐‑ century German Lutheran hymnal by Johann Walther, published in five editions between 1524 and 1551, the contents of which were substantially augmented, particularly between the 1525 and 1537 editions. Specifically, this project focuses on the twelve hymns with multiple settings, one or more of which were published in the first two editions and replaced by one or more settings in the last three editions, while assessing the characteristics across the original and removed settings and noting discernable trends of revision employed by Walther. Observable revision trends include length increase …


Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis Apr 2013

Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis

Masters Theses

Mongolian music culture as it exists in China is a unique entity unto itself as it features a base of traditional Mongolian practice and also includes aspects of Chinese music and culture. As the world becomes more interconnected and as China continues to display a markedly Han society to the world at large, Mongolian musicians and Mongolian-music enthusiasts in China maintain and evolve their musical culture in a nebulous middle-ground between Mongolian and Han-Chinese culture. How Mongolian music culture in China came to be and its ultimate function in global society are the key questions being investigated in this thesis. …