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Articles 1 - 3 of 3
Full-Text Articles in Musicology
"Now, Then, Then:" An Original Composition And Examination Of The Influence Of Blues, Bluegrass, And Rock In Western Concert Music, David Klock
Electronic Theses and Dissertations
This thesis examines four pieces by three composers and one creative team, focusing on connections to bluegrass, blues, and rock music in each. The pieces are Raphael by Bryce Dessner, Cognitive Consonance II: Westering by Christopher Trapani, Bog Bodies and other Macabre Miniatures by Nicolas Lell Benavides, and “Three Dots and a Dash” by Punch Brothers. Each of these works uses distinct instrumentations, but every ensemble includes guitar in some fashion. This examination informs the original composition entitled Now, Then, Then, scored for violin, cello, electric guitar, and marimba. In this original composition, Klock uses devices found within these …
Listen To The River: Dolores, Ophelia, And Female Resistance In Opera, Daniel Aaron Barnidge
Listen To The River: Dolores, Ophelia, And Female Resistance In Opera, Daniel Aaron Barnidge
Electronic Theses and Dissertations
The music of female characters in the great masterpieces of opera often demonstrates resistance to and undermines the abuse they have historically received in opera plots. The Mexican folktale that my opera, The Tragedy of La Llorona, draws inspiration from plays on many of the same tropes historically found in female characters in opera including madness, sexuality, and lack of agency. This led to research into the portrayal of women in opera as part of my pre-compositional process and my desire to access this tale free from the traditional 'marianismo' and 'machismo' narratives it is associated with and which …
Telling Stories: An Analysis Of Speech-Melody Compositions And An Original Speech-Melody Composition For Wind Ensemble, Kevin Cheek
Electronic Theses and Dissertations
This thesis explores the compositional technique of speech melody and provides a brief historical overview of speech in music. This thesis also examines recent works (2005-2014) that have sourced their melodies from the spoken word and in turn creates an original composition for wind ensemble consisting of melodies sourced from recordings of members of United States military forces speaking about their lived experiences. In conjunction with the analytical and compositional aspects of this thesis, I also conducted an interview with Dutch composer Jacob ter Veldhuis (Jacob TV). i