Open Access. Powered by Scholars. Published by Universities.®
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Musicology
Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler
Arvo Pärt: Sounding The Sacred [Toc], Peter Bouteneff, Jeffers Engelhardt, Robert Saler
Religion
Scholarly writing on the music of Arvo Pärt is situated primarily in the fields of musicology (analyzing Pärt’s signature “tintinnabuli” method), cultural and media studies (Pärt’s audience is uncannily broad within and beyond the contemporary classical world) and, more recently, in terms of theology/spirituality (Pärt is primarily a composer of sacred music). For the most part, this work is centered around the representational dimensions of Pärt’s music (including the trope of silence), writing and listening past the fact that its storied effects and affects are carried first and foremost as vibrations through air, impressing themselves on the human body. In …
The Material Of The Servant: Theology And Hermeneutics In Handel’S Samson, Sara E. Eckerson
The Material Of The Servant: Theology And Hermeneutics In Handel’S Samson, Sara E. Eckerson
Yale Journal of Music & Religion
George Frideric Handel’s Samson oratorio (HWV 57, 1743) has posed critical difficulty for scholars because of its libretto. The librettist, Newburgh Hamilton, is often accused of making a poor adaption of John Milton’s Samson Agonistes (1671). One of the main points of criticism centers on how Hamilton removed much of Samson’s deliberation from the source text. In this article, however, it will be argued that the way ideas and commentary pass through different voices (namely, from Samson and Micah to the Chorus of Israelites) contributes to the unique interpretation the oratorio puts forward of the Samson narrative. The method to …
New Leaves On Old Trees: A Synthesis Of Early American Music Through Contemporary Composition, Leslie A. Robinson
New Leaves On Old Trees: A Synthesis Of Early American Music Through Contemporary Composition, Leslie A. Robinson
Selected Honors Theses
The purpose of this thesis is to explore the hymnody and choral music of 17th, 18th, and early 19th century Protestant communities in America with the goal of creating a historically informed composition that articulates musical and theological ideas of the past with a fresh voice. It will emphasize unique characteristics of the musical communities and connections between the communities. It will also focus on two relationships within individual communities: the association between the community’s music and its texts, and the connection between its theology and musical identity. The thesis and composition should reveal an understanding of early American musical …