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Articles 1 - 6 of 6
Full-Text Articles in Musicology
Dance Experience Affects Tempo Perception, Jasmine Xu, Jordan E. Hayes, Cole Smithers, Jared Leslie
Dance Experience Affects Tempo Perception, Jasmine Xu, Jordan E. Hayes, Cole Smithers, Jared Leslie
Undergraduate Research Symposium Posters
In music, the word “tempo” refers to the speed or pace of the music (the number of beats per minute, for example). Tempo is surprisingly subjective, given that beat perception depends on age and cultural experience. Other factors besides beat (like the density of events per unit time) might influence how fast or slow people dance to music. Certain styles of music afford different speeds of dance, even when their tempos are the same.
Colorism And Its Affects In R&B Music: Annotated Bibliography, University Of Denver
Colorism And Its Affects In R&B Music: Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
This is an annotated bibliography of some of the sources that I will be using for my research paper due next quarter.
Listen To The River: Dolores, Ophelia, And Female Resistance In Opera, Daniel Aaron Barnidge
Listen To The River: Dolores, Ophelia, And Female Resistance In Opera, Daniel Aaron Barnidge
Electronic Theses and Dissertations
The music of female characters in the great masterpieces of opera often demonstrates resistance to and undermines the abuse they have historically received in opera plots. The Mexican folktale that my opera, The Tragedy of La Llorona, draws inspiration from plays on many of the same tropes historically found in female characters in opera including madness, sexuality, and lack of agency. This led to research into the portrayal of women in opera as part of my pre-compositional process and my desire to access this tale free from the traditional 'marianismo' and 'machismo' narratives it is associated with and which …
2nd Funk Symposium: Selected Proceedings, 2021, Sharon Davis Gratto
2nd Funk Symposium: Selected Proceedings, 2021, Sharon Davis Gratto
Content Presented at the First and Second Dayton Funk Symposia
This is a printed proceedings of symposium presentations by authors who elected to submit them. They are available free for download, but printed volumes are available for $6 plus tax and shipping.
King Behind Colonial Curtains: Kasilag And The Making Of Filipino National Culture, Paul Gabriel L. Cosme
King Behind Colonial Curtains: Kasilag And The Making Of Filipino National Culture, Paul Gabriel L. Cosme
International Studies Honors Projects
Filipino National Artist Lucrecia “King” Kasilag sought to preserve folk cultures and melded these with her Western training to produce works—scholarly, pedagogical, and compositional—that shaped national music and culture. This thesis is a critical biography that combines perspectives from postcolonial studies, political economy, and musicology to highlight forces that shaped Kasilag’s life while illustrating her successes and shortcomings on national culture. Through this biography, I argue, Filipino national culture must originate from intersectional struggles and negotiation among elites and masses; that this culture is about both resistance and acceptance—a national culture that is syncretic and quintessentially dynamic.
Intro To Jazz, Jon De Lucia
Intro To Jazz, Jon De Lucia
Open Educational Resources
OER Based Syllabus for MUS 145 Intro to Jazz course at City College. Covers the history and development of jazz along with basic music fundamental vocabulary.