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Full-Text Articles in Musicology
The Music Of Sylvano Bussotti And Its Interpretation: Biopolitics, Intersubjectivity, And Modernist Canon Formation, Charles A. Rudig
The Music Of Sylvano Bussotti And Its Interpretation: Biopolitics, Intersubjectivity, And Modernist Canon Formation, Charles A. Rudig
Dissertations, Theses, and Capstone Projects
The music of Italian composer Sylvano Bussotti (1931–2021) presents intentional challenges to interpretation and canonization. These particular challenges and Bussotti’s reasoning for implementing them are interrogated in this dissertation by reading the score to Bussotti’s La Passion selon Sade (1966) through contemporaneous European social theory, philosophy, and political developments. La Passion selon Sade is a theatre piece for a chamber ensemble, with a primary vocal and dramatic role written for mezzo-soprano Catherine Berberian, with whom Bussotti frequently collaborated. Like much of Bussotti’s music from the 1950s and 1960s, the discourse surrounding the piece and its reception largely relates to its …
Negative Dialectics In Elliott Carter: Toward An Adornian Aesthetics Of Carter's Music, Gregory J. Menillo
Negative Dialectics In Elliott Carter: Toward An Adornian Aesthetics Of Carter's Music, Gregory J. Menillo
Dissertations, Theses, and Capstone Projects
This dissertation is an attempt to lay the groundwork for an Adornian aesthetics of Elliott Carter’s music. The first chapter suggests that Theodor W. Adorno’s negative dialectics is the most appropriate paradigm for understanding the material antagonisms that characterize Carter’s music over a quasi-Hegelian “unity of opposites” as suggested in the Carter scholarship. Chapter Two demonstrates this through an Adornian reading of key aspects of the first movement of Carter’s 1948 Sonata for Cello and Piano, the watershed work for Carter’s mature style. The third chapter addresses the issue of musical time in Carter from a philosophical perspective; it discusses …