Musicology Commons^™

Mozart And Genius: Music And Philosophy, Aidan Witvoet

Undergraduate Student Research Internships Conference

This output poster serves as an overview to my efforts and responsibilities throughout the duration of the internship. Here I also showcase a brief sample of the concepts and areas of exploration within which I have been immersed, both in regards to the the content of the book I am helping to prepare for publishing as well as accompanying readings and discussions.

Why You Can Actually Sing: A Study Of Human Evolution And Culture As Influenced By Music, Cassandra E. Haley

SASAH 4th Year Capstone and Other Projects: Publications

Cassandra's Community Engaged learning course took her outside of her home faculties of Science and Arts & Humanities to study with Professor S. Wei in the Faculty of Music. For her course, Cassandra became a member of the Viola Studio, and conducted extensive research on music history, aesthetics of music, and human evolution of music to combine her studies in music, SASAH, and genetics.

In her capstone research, Cassandra explored how music has shaped narratives and likewise been controlled by political narratives, how it is different from other forms of communication, and if it is possible to express emotions musically. …

Teleology In César Franck's Prélude, Choral Et Fugue, Stephanie Gouin

Electronic Thesis and Dissertation Repository

César Franck’s Prélude, Choral et Fugue is a fine example of the composer’s mature style and contribution to musical form and language at the end of the nineteenth century. The use of a Baroque structure, such as the fugue, has a significant impact on the overall unfolding of this Romantic work. A teleological perspective will inform the analysis of the Fugue, which will constitute the core of the study. It will use concepts of design and purpose in order to explain the development of the piece as a whole, and the transformation of the musical language within the Fugue in …