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Full-Text Articles in Musicology
Mood And Mode: The Impressionistic Commonalities Of Claude Debussy And John Coltrane, Simon B. Needle, Edward Eanes
Mood And Mode: The Impressionistic Commonalities Of Claude Debussy And John Coltrane, Simon B. Needle, Edward Eanes
The Kennesaw Journal of Undergraduate Research
There are marked parallels in scale use, the use of modality and harmonic construction and movement in the music of John Coltrane as compared to impressionist composers like Claude Debussy. The modal harmonic exploration employed in the works of Coltrane is often attributed to the Indian raga and other music, but it can also be likened to Impressionist works by Debussy. A fascination with exoticism and a search for new veins in music to draw from propelled both of these artists forward musically. While Debussy learned medieval modality from the Russians, Coltrane looked further East to the Arab world and …
Teleology In César Franck's Prélude, Choral Et Fugue, Stephanie Gouin
Teleology In César Franck's Prélude, Choral Et Fugue, Stephanie Gouin
Electronic Thesis and Dissertation Repository
César Franck’s Prélude, Choral et Fugue is a fine example of the composer’s mature style and contribution to musical form and language at the end of the nineteenth century. The use of a Baroque structure, such as the fugue, has a significant impact on the overall unfolding of this Romantic work. A teleological perspective will inform the analysis of the Fugue, which will constitute the core of the study. It will use concepts of design and purpose in order to explain the development of the piece as a whole, and the transformation of the musical language within the Fugue in …