Open Access. Powered by Scholars. Published by Universities.®
- Keyword
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Musicology
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Dissertations, Theses, and Capstone Projects
Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …
Lliçons Magistrals, Antoni Pizà
Lliçons Magistrals, Antoni Pizà
Publications and Research
No seria pianista. Jo no arribaria mai a ser pianista. L’epifania va començar a cristal·litzar poc després d’haver arribat a Salzburg el 1982 amb intencions d’estudiar-hi piano. Com el narrador de la novel·la de Thomas Bernhard Der Untergeher (si es vol, el fracassat o el mediocre), jo havia quedat psicològicament gelat per la presència d’alguns dels millors pianistes del món. En poc temps, i sense capacitat de digerir-ho —tenia vint anys escassos—, havia vist i sentit en viu Alfred Brendel, Maurizio Pollini, Claudio Arrau i Bruno Leonardo Gelber, entre altres.
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
Dissertations, Theses, and Capstone Projects
In 1930s North America, women—for the first time—were accorded permanent principal positions in significant American orchestras. Edna Phillips, Alice Chalifoux, and Sylvia Meyer, all students of the legendary harp pedagogue Carlos Salzedo, have been celebrated as pioneers for the prestigious employment they obtained in the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony Orchestra, respectively, between 1930 and 1933. Despite the impressiveness of these accomplishments, however, the narrative of their “firstness” is not wholly accurate. In actuality, female harpists have occupied orchestral posts as acting principals, substitutes, and second harpists since the very inception of orchestras. The cause for their early …