Musicology Commons^™

Latin-American Duos. The University Of Texas At El Paso. December, Oscar E. Macchioni

Oscar Macchioni

Music In The Third Reich, Delora J. Neuschwander

Musical Offerings

Music played a prominent role in the rise of Nazi culture in Germany and was used extensively in propaganda and indoctrination of the entire country; the Nazi party brought music and politics together and sought to shape their ideal culture by elevating their ideas of pure music to the highest status and outlawing what they defined as inferior. This study addresses Hitler’s specific views on music and explores several of the factors and individuals that contributed to his views. His views were directly inferred into the core of the Nazi party. Hitler himself was an artist and felt that art …

Béla Bartók: The Father Of Ethnomusicology, David Taylor Nelson

Musical Offerings

Béla Bartók birthed the field of ethnomusicology as an academic discipline through his tireless pursuits of folk music, his exposition of the sound of the rural people, and his incorporation of folk-style into his own personal compositions. His work revealed to the world that folk music exists, is important, and stands as an independent academic discipline. I argue that Bartók’s efforts established the field of ethnomusicology because he was one of the first musicians to branch into the study of ethnic music by travelling to collect samples of music, by aurally recording and transcribing folk-tunes, by re-writing these songs into …

Werner Jaegerhuber's “Messe Folklorique Haitïenne”: A Conductor's Guide, Lauren Michelle Brandon Lindsey

Dissertations

Werner Jaegerhuber (1900-1953), a composer and leading ethnographer from Haiti, lived a life and career committed to bringing the folk music of Haiti to international recognition. His most significant work, Messe Folklorique Haïtienne, the background leading to its composition, performance of the work and a conductor’s analysis is the focus of this study. The folk music of Haiti consists primarily of Vodou melodies which are performed in Vodou ceremonies. Haiti’s long history of colonization, slavery, chronic economic struggle, African roots, and Catholic influence all play unique, but significant roles in the life of Werner Jaegerhuber and his passionate study. …

The University Of Texas At El Paso Piano Concerto Competition, Oscar E. Macchioni

Oscar Macchioni

Postmodern Musicology, Babette Babich

Babette Babich

The discipline of musicology is a rather specificially 20th century institution growing out of a disparate range of 19th century studies of music theory, history, composition, etc. The OED edition extant at the time of the writing of this article dates the term musicology itself to 1909 or later. Although there are indeed practitioners throughout the world, most theorists are Anglo-American, with echoes in the French tradition of musicologie and German Musikwissenschaft. As a still-modern project, postmodern musicology derives from a predominantly Austro-German generation of scholars who translated an originally European tradition of analysis (Heinrich Schenker and -- in …

Horses For Discourses?: The Transition From Oral To Broadside Narrative In “Skewball”, Seán Ó Cadhla

Articles

The well-known horse-racing ballad ‘Skewball’ (hereafter, SB) has a well-established oral tradition in Ireland, with versions documented throughout the eighteenth-,nineteenth- and twentieth-centuries. The latest is a 1979 field-recording of Derry folksinger and storyteller, Eddie Butcher (Shields 2011:58-9). The ballad was also assimilated into African-American oral tradition, in which it was reconstructed and renamed ‘Stewball’ (Scarborough 1925:61-4; Lomax 1994:68-71), and was still being documented in American folk tradition as late as the 1930s (Flanders 1939:172-4). In common with countless other folk songs, SB was appropriated by broadside printers and subsequently enjoyed widespread public appeal throughout England in the early- to …

Proactive Punk: Music's Agency In The Knoxville Punk Community, Paula Danielle Propst

Masters Theses

This ethnography investigates the collective identity of the Knoxville punk community. I argue that punk rock culture in Knoxville exists as a proactive open community, and frame the discussion with the psychoanalytical work of collective identity by Jacques Lacan, notions of discourse described by James Gee, as well as definitions of community explored by Will Straw and David Hesmondhalgh. Knoxville punk musicians promote the sense of community with music through the value of cultural knowledge, providing physical areas for social space creation, and instructing young women musicians. Each factor provides a distinct element for the proactive movement in Knoxville punk. …

Theories Of Culture, Identity, And Ethnomusicology: A Synthesis Of Popular Music, Cultural, And Communication Studies, Alyssa Santos

Communication Studies

No abstract provided.

An Analysis And An Historical Contextualization Of Frank Ticheli’S “Cajun Folk Songs”, Jody Anthony Besse

Dissertations

This document was constructed using a qualitative research approach to discuss and illuminate the various compositional techniques used by Frank Ticheli in his composition Cajun Folk Songs. The content will include a biographical background of Mr. Ticheli, documentation related to the Cajun Culture and Cajun Music, an analysis of Ticheli’s composition Cajun Folk Songs, and valuable information related to the rehearsal and performance of this work. The intent of the study is to shed light on the relevant aspects pertinent to the musical interpretation of the selected work for the conductor, the performer, and the listener.

Interview, Radio Nacional Clásica Fm 96.7, Buenos Aires, Argentina, Oscar Macchioni

Oscar Macchioni

Interviewed by Leandro Donoso for his program "La música de los libros de música" (The Music of the Music Books). Taked about my book "The Tango in American Piano Music" and listened to my recordings of tangos by Thomson, Copland, Barber, Biscardi and Bolcom.

Oscar Macchioni Transmitió Sus Conocimientos A Los Jóvenes., Oscar E. Macchioni

Oscar Macchioni

"...Nada lo alteró, ni siquiera la labor del fotógrafo, en su faena de docente comprometido con la enseñanza. Ayudado por sus manos, explicó y graficó en todo momento los errores comunes en la postura de los pianistas...Para el aplauso."

Karol Szymanowski. Etude Op. 4 No. 3, Oscar Macchioni

Oscar Macchioni

Oscar Macchioni plays Karol Szymanowski's Etude Op. 4 No. 3 in B-minor