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Musicology Commons

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Articles 1 - 12 of 12

Full-Text Articles in Musicology

Catalog Of Current Compositions, Dan Rager Dec 2018

Catalog Of Current Compositions, Dan Rager

Dan Rager

Catalog of instrumental and choral works ranging from solo ensembles, duets, quartets, quintets, sextets, brass choir, percussion ensembles, woodwind and brass ensembles, concert / symphonic band, symphony orchestra and choral music. Works include Symphonies 1 & 2 & 3, Concertos 1 & 2 and other large symphonic contemporary works.


Igor Stravinsky (Primitivism & Cubism), Dan Rager Jun 2016

Igor Stravinsky (Primitivism & Cubism), Dan Rager

Dan Rager

Igor Stravinsky (June 17, 1882/April 6, 1971) 

His works defined and incorporated the elements of Primitivism & Cubism. This short lecture discusses these principles through the following works and much more.
The Rite of Spring and The Firebird. Video example/performances bring to life this 20th century period of extremism . You are free to use and incorporate this information into your classroom courses.


The Interaction Of Music And Dance In Africa, Dan Rager Dec 2015

The Interaction Of Music And Dance In Africa, Dan Rager

Dan Rager

This article examines the role of music and dance in African life and how it is intertwined with the culture. The author investigates many styles, elements and ngomas to show how they are used in daily life from the womb to the grave.

Music and other art forms are an inseparable part of African life and are culminated into everyday activities. Instrumental, singing and dance are art forms embedded in the diverse cultures of African peoples and their traditions, beliefs, values, religions and artistic expression.

According to the author, traditional arts practices can contribute to creativity, perception and understanding of …


The Band Came Back (Sousa -1895/Clarke - 1926/Rager - 2016), Dan Rager Dec 2015

The Band Came Back (Sousa -1895/Clarke - 1926/Rager - 2016), Dan Rager

Dan Rager

PowerPoint Presentation:

The Band Came Back: For lack of a better description, this music was billed as a “fantastic episode.” To catch the audience by surprise it was always programmed by Sousa as the first piece after an intermission. The house lights were turned off, revealing an empty stage. Slowly and deliberately, the musicians entered, playing singly, in pairs, trios or quartets. Each played some popular tune upon entering, sometimes with an accompaniment provided by musicians already onstage. Only after all of his players had entered and were seated did Sousa make his appearance, conducting only the last note. Although …


In Search Of The Wind-Band: An International Expedition, Daniel Rager Jun 2015

In Search Of The Wind-Band: An International Expedition, Daniel Rager

Dan Rager

In Search of the Wind-Band: An International Expedition is a new interactive E-book, exploring 16 countries.

The first-of-a-kind, interactive encyclopedic e-book uses text, video, mp3 and pdf files to bring the history and development of the wind-band to life.

1. Overture: What Constitutes a Wind Band? - 2. Introduction to European History and Development - 3. Historical Homogeneous Wind-Bands - 4. American Wind Music - 5. Denmark Wind Music - 6. Finnish Wind Music - 7. Industry Wind Bands - 8. Ireland Wind Music - 9. Japanese Wind Music - 10. Mexican Wind Music - 11. Native American Indian Wind …


History Of The Blues, Dan Rager Dec 2014

History Of The Blues, Dan Rager

Dan Rager

This all inclusive History of the Blues introduction begins as early as 1400, when the first global trading routes began. Two early maps are enclosed from this period showing the direction and locations from which people, food and supplies were moved.

This research presentation illustrates African tribes such as the Arada, Dahomey and Fulani who sang music in their daily rituals and ceremonies long before they were moved to other continents. Early developmental music elements are introduced including spirituals, worksongs, Scottish ballads, Methodist and Baptist hymns, call and response, guttural effects, interpolated vocality, falsetto and blue notes. All of these …


J. P. Sousa Vol 15 (The Band Came Back), Dan Rager Dec 2014

J. P. Sousa Vol 15 (The Band Came Back), Dan Rager

Dan Rager

1 Prince Charming – March (1928) 3:41 2 Across the Danube – March (1877) 2:25 3 The Band Came Back (arr. Dan Rager) (1895/1926)* 13:35 4 Magna Charta – March (1927) 2:34 5 Chris and the Wonderful Lamp – Electric Ballet from Act II (1899)* 3:36 6 Legionnaires – March (1930) 2:51 7 Chopin arr. Sousa: Nocturne No. 11 (1838)* 6:43 8 Volunteers – March (1918) 3:23 9 Désirée – Selections (1884/1894)* 8:46 0 Pet of the Petticoats – March (1883) 1:57 ! Gliding Girl – Tango (1912) 3:32 @ Ben Bolt – March (1883) 2:51 # Yorktown Centennial – …


Aesthetics In Culture, Dan Rager Nov 2014

Aesthetics In Culture, Dan Rager

Dan Rager

This article examines the role of aesthetics in art, music, non-art objects, and activities in daily life. It shows that recognition is vital to our understanding of art and art-objects and sometimes creates conflicts which ask, what does one do with art? The question becomes more confusing when we think about non-art objects and activities which concern our everyday experiences from eating, clothing, cleaning and dealing with life's natural elements. The author points out that Western cultures have a distinct artworld that is usually limited for special occasions set aside for that purpose. He suggests that aesthetics in culture is …


The Interpretation Of Sousa, Daniel Rager Nov 2014

The Interpretation Of Sousa, Daniel Rager

Dan Rager

This article creates a recording anthology from four of John P. Sousa's finest marches and includes "The Washington Post," "The Fairest of the Fair," "Hands Across the Sea," and "The Thunder." The titles were chosen because of their popularity as being the most recorded marches, and that they all have a common thread between them. Together, they create a unique collage of themes that when put together take on a new life. The author shows how all four compositions were assembled into a symphony titled Symphony on the Themes of Sousa written by Hollywood composer Ira Hearshen. Frederick Fennell recorded …


Johann Sebastian Bach's Wind/Brass Instruments And Scoring Techniques, Daniel Rager Nov 2014

Johann Sebastian Bach's Wind/Brass Instruments And Scoring Techniques, Daniel Rager

Dan Rager

Each time period has its own social, cultural and religious rules from which composers obey. Bach’s sacred and secular works walk a fine line and are hard to distinguish between, but each has been performed throughout the ages in a variety of settings. This paper investigates Bach’s: Ideologies and Scoring which include his petition of August 23, 1730, his Horn (Corno) and its many names and uses. The author details Bach’s trombone (s), how he use them and in what compositions they can be found as well as Bach’s trumpet (s), their various keys and uses including musical excerpts, ornaments …


The Role Of Music In Society Past, Present And Future, Daniel Rager Nov 2014

The Role Of Music In Society Past, Present And Future, Daniel Rager

Dan Rager

The author investigates the role of music in the United States from the nineteenth century forward, and how it transformed into new genres through global ideologies. The paper examines the development, social and functional roles in early American music education and envisions music’s future in an ever changing world. The article encompasses think tank organizations such as the Association of Performing Arts Presenters who have brainstormed on the theme of change and opportunity in America while asking: • Who are the existing audiences for classical music? • Who are untapped or potential audiences? • What do they need to feel …


The History Of The Marimba, Daniel Rager Nov 2014

The History Of The Marimba, Daniel Rager

Dan Rager

The author presents an international and historical history of one of the earliest melodic percussion instruments made by man. His research suggests the instrument was widespread throughout Asia and Africa, although many other regions claim it to have originated in their country. Known by many names and created from an endless array of materials, this paper reflects the marimbas evolution from the fourteenth century to present day. The writer’s research encompasses the marimbas social roles, musical functions, timbres and styles across many countries as well as its evolution into the twenty-first century.