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Full-Text Articles in Musicology
Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton
Reimagining The Collective: Black Popular Music And Recording Studio Innovation, 1970-1990, Will Fulton
Dissertations, Theses, and Capstone Projects
This dissertation examines developments in the production practices of black popular music in the recording studio from 1970 to 1990. The year 1970 marked a transition in the recording practice of popular music that had a distinct impact on styles marketed as R&B, soul, and funk. Multitracking in the 1950s and 1960s had paved the way for a transformed production process, one initiated by Les Paul’s and Sidney Bechet’s overdubbing experiments in the 1940s. The collective sound of instrumentalists and vocalists heard on records no longer resulted from live-to-tape recordings of group performances, but was increasingly the product of constructed …
Laughing At Ourselves: Music And Identity In Comedic Performance, Peter Trigg
Laughing At Ourselves: Music And Identity In Comedic Performance, Peter Trigg
Masters Theses
Standup comedy actively performs and engages with constructions of self and social identity, especially in terms of ethnic difference and the negotiation of American race relations. Musical comedy, wherein standup comedians perform song onstage, represents one facet of this expression that configures musical texts and expectations in the service of cultural observation and critique. Bo Burnham and Reggie Watts characterize two disparate approaches to the practice based on their aesthetic tastes, existential anxieties, and racial experiences. The two present their respective identities onstage in relation to a changing American political landscape of the early 21st century that has seen widespread …
Promise That You Will Sing About Me: Kendrick Lamar In Posterity, Brandon Apol
Promise That You Will Sing About Me: Kendrick Lamar In Posterity, Brandon Apol
Music and Worship Student Presentations
Sometimes it would seem that the quietest moments turn out to have the loudest repercussions. This would seem to be a consistent case for twenty eight-year old Kendrick Lamar, whose career has been defined by surprise and unannounced publications of music that shortly afterward are spun into respected works of art. With an album that no one anticipated going to the 2013 Grammy awards, another album that leaked a week ahead of schedule (and brought Kendrick 5 Grammys), and an album that was released with almost no warning whatsoever, Kendrick Lamar Duckworth makes headlines with his art; of this there …
Kendrick Lamar And Hip-Hop As A Medium For Social Change, Diego A. Rocha
Kendrick Lamar And Hip-Hop As A Medium For Social Change, Diego A. Rocha
Student Publications
This paper provides a context and then analysis of Kendrick Lamar's albums as they relate to advocating and affecting social change. The purpose is to show through example how hip-hop (and music in general) can act as an avenue towards creating positive change for oppressed peoples.
A Select Survey Of Choral Arrangements Based On The Songs Of Stephen Foster Tracing Developments In Music And Textual Changes Through The Twentieth And Twenty-First Centuries, Perry K. Ward
Theses and Dissertations--Music
Stephen Foster is acknowledged as America’s first composer of popular music. His legacy can be seen in the number of songs that are embedded in our cultural heritage – “Oh! Susanna,” “Beautiful Dreamer,” and “My Old Kentucky Home,” are but a very few of his most popular works. Stephen Foster’s songs have been incorporated into every facet of American culture including both popular and classical musical culture, television, and film. However, his legacy is complicated as it is tainted by connections to blackface minstrelsy in some works. This document seeks to trace the threads of racial sensitivity and cultural appropriation …