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Webern’S Labyrinth: Contour And Canonic Interaction– An Analysis Of Webern’S Op. 16, No. 2, Scott Saewitz
Webern’S Labyrinth: Contour And Canonic Interaction– An Analysis Of Webern’S Op. 16, No. 2, Scott Saewitz
Theses and Dissertations
Contour can be recognized as an influential device that influences other musical features other than melody, such as canons and form. I introduce the concept of Subcontouric Cells, with the intent to highlight contouric influential potentiality, by thoroughly examining and providing an analysis of Webern’s Op. 16, No. 2.