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Music Theory Commons

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Bard College

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Music

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Full-Text Articles in Music Theory

A Walk In The Woods, Matthew Paul Macari Jan 2023

A Walk In The Woods, Matthew Paul Macari

Senior Projects Spring 2023

A Walk in the Woods is a piece of experimental multimedia consisting visually of images of the Hudson Valley processed through mid-90s computer graphics and aurally of field recordings, monologues, musical motifs, and songs. All of these elements are combined with the use of a game engine to create an interactive experience reminiscent of the MS-DOS video games of the mid to late-90s. Working on this project allowed me to both turn away from the discouragement caused by my unrealized musical plans and return to a place where I had once felt comfortable exploring my curiosity in the topics of …


Getting Under Your Skin Until You Jump Out Of It: The Psychological Effects Of Music On The Experience Of Film, Clare Ellen Herzog Jan 2022

Getting Under Your Skin Until You Jump Out Of It: The Psychological Effects Of Music On The Experience Of Film, Clare Ellen Herzog

Senior Projects Spring 2022

Music is like magic. It can sweep you off your feet and spirit you away to places you never thought possible: it can serve as a teleportation device, achieve time travel, and let us read minds. Some pieces of music exist for their own sake, like Rachmaninoff’s Isle of the Dead, while others accompany different forms of media: ballets such as The Nutcracker and operas like La Bohème are instantly recognizable for their grandiose and immersive scores. For a moment in time, audiences can really believe that they are traveling to a magical world with Clara, and even without the …


Momentary Musics: How Spotify And The Attention Economy Transformed Music From Art Form To Affect, Tobias Hess Jan 2022

Momentary Musics: How Spotify And The Attention Economy Transformed Music From Art Form To Affect, Tobias Hess

Senior Projects Spring 2022

The rise of music streaming platforms such as Spotify, and the concurrent emergence of what is broadly known as "the attention economy" have radically shifted the aesthetics of the music industry, as well as the artistic subjectivities of artists that operate within this paradigm. Through a formal analysis of Spotify's recommendation algorithm, I argue that algorithmic curation systems such as Spotify's create a new cultural paradigm that has replaced Adorno's conception "culture industry." What has replaced it is a dispersed meritocracy where success is determined by how well individual cultural actors conform to the preferred aesthetics of algorithmic platforms. Using …