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Full-Text Articles in Music Theory
J. S. Bach's Use Of Vocal Ornamentation, John A. Melrose
J. S. Bach's Use Of Vocal Ornamentation, John A. Melrose
Graduate Student Research Papers
In view of some misconceptions concerning the reading of these ornamental symbols, a study of how to interpret them accurately seems of value. Stenographic signs of later periods are superficially similar to Baroque ornaments and are frequently used mistakenly in performing music of the Baroque. Bach's embellishments should obviously be treated according to Baroque practice.
Puccini's Treatment Of Verismo, Janet M. Ice
Puccini's Treatment Of Verismo, Janet M. Ice
Graduate Student Research Papers
The employment of verismo, or realism, in opera did not begin with Puccini; however, his treatment developed the concept to its fullest. Inasmuch as Puccini was one of the foremost composers of his time, a study of his treatment of verismo seems valuable.
Monteverdi: Characteristics Of His Operatic Style, Mallory C. Mcmanus
Monteverdi: Characteristics Of His Operatic Style, Mallory C. Mcmanus
Graduate Student Research Papers
With this emphasis on textual understanding, opera, as introduced by a group or amateur composers called the Florentine Camerata, was born. These composers wrote in a recitative style for the solo voice. Being amateurs, however, they did not possess the professional musicianship to amplify the textual implications. Therefore, Monteverdi, the trained musician, established many musical innovations still in effect.