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Articles 1 - 5 of 5
Full-Text Articles in Music Practice
Mastering Up-Bow And Down-Bow Staccato, Tomás Cotik
Mastering Up-Bow And Down-Bow Staccato, Tomás Cotik
School of Music + Theater Faculty Publications and Presentations
Dr Tomas Cotik gives an introduction to the bow stroke and demonstrates techniques and exercises.
Cello Technique: A Result Of Cello Construction And Its Effect On Virtuosic Playing In The Works Of Dvořák And Pärt, Mineo P. Yasutake Mr.
Cello Technique: A Result Of Cello Construction And Its Effect On Virtuosic Playing In The Works Of Dvořák And Pärt, Mineo P. Yasutake Mr.
Music: Student Scholarship & Creative Works
No abstract provided.
Elements Of Alexander Technique: Discovering A Natural Approach To String Playing, Tomás Cotik
Elements Of Alexander Technique: Discovering A Natural Approach To String Playing, Tomás Cotik
School of Music + Theater Faculty Publications and Presentations
This article covers a wide array of techniques and simple ways in which performers of all levels can achieve a more natural approach to instrumental playing by improving ease and freedom of movement. Practicing these exercises will refine and heighten kinesthetic sensitivity offering the performer a control which is fluid and lively, enhancing performance and helping avoid unnecessary tension, pain, and potential injuries.
It's Instrumental, My Dear Watson: A Collective Investigation Of Early Instrumental Practices, Jillissa A. Brummel, Nate Chester, Joshua Drake, Janelle Finley, Josiah D. Keith, Jonathan Lyons, Sarah R. Plumley, Kirsten Saur, Rachel Stevenson
It's Instrumental, My Dear Watson: A Collective Investigation Of Early Instrumental Practices, Jillissa A. Brummel, Nate Chester, Joshua Drake, Janelle Finley, Josiah D. Keith, Jonathan Lyons, Sarah R. Plumley, Kirsten Saur, Rachel Stevenson
Music and Worship Student Publications
No abstract provided.
Missa Yielu: Music In The Dagara Mass, Karin Rau
Missa Yielu: Music In The Dagara Mass, Karin Rau
Masters Theses
This paper explores the music of Dagara Masses in Ghana. The Dagara people are defined and described according to the geography of their land and linguistic dialects spoken in the region. A discussion of cultural indicators highlights traditional occupations, family structure, and social practices. Dagara musical practices are outlined by function and include descriptions of instruments and how they are played. Examination of indigenous religious beliefs describe the behaviors, values, and symbols that permeate Dagara life. A summary of the Dagara's encounter with Christianity sets the scene for present-day celebrations of the Mass. Through observation and interview, research was conducted …