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Full-Text Articles in Music Practice
Realizing Partial Signatures Around 1400: Liebert's Credo As A Test Case, Kevin N. Moll
Realizing Partial Signatures Around 1400: Liebert's Credo As A Test Case, Kevin N. Moll
Performance Practice Review
RILM abstract: "A system of realization is used to address the problem of partial signatures in vocal polyphony and the adjustments of accidentals they require. Its principles are applied to the first 18 measures of the Credo of the Mass by Reginaldus Libert. If some latitude in the governing criteria is allowed, it is feasible to realize partial signatures in a systematic manner."
Performance Practice And The Falsobordone, Murray C. Bradshaw
Performance Practice And The Falsobordone, Murray C. Bradshaw
Performance Practice Review
RILM abstract: "While the falsobordone was not the most sophisticated genre of the 16th and early 17th c., it was among the most popular. Its popularity can be attributed to its simple polyphonic style, which lent itself to a variety of performances. The falsobordone could be sung by either a full choir or a solo ensemble (with recitations sung in uneven values and without a metrical pulse, but with cadences almost always articulated metrically). It could be performed as a solo song accompanied by organ or another instrument, as a highly embellished solo piece (passaggiato), or as a polychoral composition …