Music Practice Commons^™

The History And Development Of Solo Tuba Repertoire, Vasilios Tidwell

Honors Theses

The tuba's solo repertoire increased in quantity and quality as a result of developments in the instrument’s design and usage. Following the invention of the tuba in 1835, instrument makers experimented with design concepts to maximize the versatility and potential of the bass brass voice. Composers explored the various uses of the instrument, eventually making the tuba part of the standard orchestral instrumentation by the mid-nineteenth century. Following the instrument's acceptance into bands and orchestras, the first solo works for tuba emerged in the late nineteenth century.

Evolving from novelty pieces accompanied by wind or brass bands, tuba solo music …

A Critical Edition Of Gustave Vogt's 4eme Solo De Concert, Mark Runkles

UNLV Theses, Dissertations, Professional Papers, and Capstones

As oboe professeur titulaire at the Paris Conservatory from 1816-53, Gustave Vogt established his importance as a pedagogue by teaching many leading nineteenth century European oboists, and his influence can be traced to numerous living oboists. Additionally, Vogt played a seminal role in developing a virtuosic Romantic oboe style that paralleled the virtuosic styles developed for the more prevalent Romantic solo instruments, the piano and violin. His music is rarely played today, and Vogt remains a largely unknown figure even within the oboe community. The purpose of this study is to develop a critical edition of Gustave Vogt's 4ème Solo …