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Full-Text Articles in Music Practice
Performing Rhythmic Dissonance In Ligeti’S Études, Book 1: A Perception-Driven Approach And Re-Notation, Imri Talgam
Performing Rhythmic Dissonance In Ligeti’S Études, Book 1: A Perception-Driven Approach And Re-Notation, Imri Talgam
Dissertations, Theses, and Capstone Projects
Interpretive approaches to the Études have been limited by Ligeti’s choice of notation, which creates several layers of difficulty in the presentation of complex rhythms. In order to resolve some of these difficulties, this dissertation includes a complete re-notation of four Etudes, using a methodology based on research in cognition and perception of rhythm.
Based on this new score, the notion of rhythmic dissonance is developed as an analytical tool to investigate in-time perception of rhythmic complexity, drawing on existing work on metric entrainment and metric dissonance. Different compositional strategies for the production of rhythmic dissonance are shown to have …
Deconstructing Piatti: Exploring Underlying Physiological Challenges In The 12 Caprices For Solo Cello, Unusdian Errandonea
Deconstructing Piatti: Exploring Underlying Physiological Challenges In The 12 Caprices For Solo Cello, Unusdian Errandonea
LSU Doctoral Dissertations
Composed in 1865 and first published in 1874, Alfredo Piatti’s 12 Caprices for Solo Cello, Op.25 have become one of the most widely-used volumes of technical studies for cello students. A virtuoso cellist, influential teacher, and prolific composer dubbed “The Paganini of the Cello” by Franz Liszt, his complete command of the cello allowed him to push the limits of the instrument in an era when the virtuoso solo cello repertoire was just starting to flourish. To this day, the study of the Caprices is still tremendously helpful–and often required by teachers as material for developing the highest level of …
Brazilian Rhythms On The Drum Set: Stylizations Of Baiao, Frevo And Maracatu By Drummers Airto Moreira, Nene And Marcio Bahia., Lucas Gomes Maia Tome Pimentel
Brazilian Rhythms On The Drum Set: Stylizations Of Baiao, Frevo And Maracatu By Drummers Airto Moreira, Nene And Marcio Bahia., Lucas Gomes Maia Tome Pimentel
Electronic Theses and Dissertations
The objective of this research is to gather and analyze stylizations of Brazilian folk rhythms baião, frevo and maracatu in contemporary Brazilian jazz. For this end, I examined transcriptions from well-known contemporary drummers Airto Moreira, Nenê and Márcio Bahia. Firstly, I reviewed the path of the drum set in Brazil by examining the important contributions made by drummers Luciano Perrone and Edison Machado. After that, I presented musical characteristics of baião, maracatu and frevo in their original environment, followed by analysis of each rhythm’s stylizations to the drum set made by drummers Airto Moreira, Nenê and Márcio Bahia. I concluded …
A Quiet Mind: The Key To Musical Performance, Rebecca Ann Percy
A Quiet Mind: The Key To Musical Performance, Rebecca Ann Percy
Chancellor’s Honors Program Projects
No abstract provided.
Finding The “Tech” In Technique: A Pedagogical Approach To Electroacoustic Concert Percussion Performance Practice, William Brady Harrison Ii
Finding The “Tech” In Technique: A Pedagogical Approach To Electroacoustic Concert Percussion Performance Practice, William Brady Harrison Ii
Theses and Dissertations--Music
Premise and Objectives
In our increasingly technology driven society, the impact of technology touches nearly every aspect of our lives in some form or another. This has been acutely felt within the world of percussion, with electroacoustic works representing perhaps the most rapidly expanding area of concert percussion over the last twenty years. Electroacoustic music couples electronic technology with traditional acoustic instruments and/or performance practices.
Broadly, this paper outlines a systematic approach to teaching electroacoustic performance practice, based on elements found in a cross-section of percussion literature. In using such an approach, not only does each student become more capable …