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Articles 1 - 29 of 29
Full-Text Articles in Music Practice
"The Rameau Compendium" By Graham Sadler, Mary Cyr
"The Rameau Compendium" By Graham Sadler, Mary Cyr
Performance Practice Review
Mary Cyr discusses and reviews Graham Sadler's 2014 work.
Sadler, Graham. The Rameau Compendium. Suffolk: Boydell Press, 2014.
ISBN: 978-1-84383-905-1
The Off-Board String On The Medieval Fiddle, Linda Marie Zaerr
The Off-Board String On The Medieval Fiddle, Linda Marie Zaerr
Performance Practice Review
Drawing on explicit descriptions, iconographic representations, and contemporary narrative, this essay analyzes playing techniques and repertories plausible for one type of medieval fiddle and suggests that notions of historical fiddle performance may need to expand to accommodate the aesthetics and techniques implied by the off-board fiddle.
While it has been widely assumed that the left thumb was used to pluck the laterally divergent string described by Jerome of Moravia, the complete body of evidence suggests an alternative interpretation: the thumb can be used to stop this off-board string, extending the melodic range of the instrument down to a step below …
About This Issue, Michael E. Ruhling
About This Issue, Michael E. Ruhling
HAYDN: Online Journal of the Haydn Society of North America
No abstract provided.
Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii
Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii
Yale Journal of Music & Religion
From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.
From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …
Preaching And The Power Of Music: A Dialogue Between The Pulpit And Choir Loft In 1689, Markus Rathey
Preaching And The Power Of Music: A Dialogue Between The Pulpit And Choir Loft In 1689, Markus Rathey
Yale Journal of Music & Religion
During the ecclesiastical year 1689-90 the Lutheran superintendent in Leipzig, Johann Benedict Carpzov, and his cantor, the composer Johann Schelle, embarked on a collaboration of unusual scale. In the previous year, Carpzov had preached a cycle of sermons based on well-known hymns from the Lutheran tradition. In 1689-90 Carpzov gave a short summary of the earlier hymn sermons, while Schelle composed for each Sunday a cantata based on the very same hymn. The result is a unique collaboration between preacher and musician, pulpit and choir loft. Only a few of Schelle’s compositions have survived; however, the extant cantatas together with …
Through A Wheat Field; To A Pond, Ian Mikyska
Editorial, Michael E. Ruhling
Editorial, Michael E. Ruhling
HAYDN: Online Journal of the Haydn Society of North America
No abstract provided.
Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik
Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik
Yale Journal of Music & Religion
The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. “to cut”) and associated ritual practices as a means of eliminating “self-grasping,” which is defined as the mistaken instinct of regarding one’s “self” and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational …
Catching Up With Adrian Galysh
In Memoriam: Joseph Wilcox Jenkins
Tempo Interviews Dr. Seth Beckman
Jazz Ensemble Breathes New Life Into Popular Music
A New Role For Dr. Edward Kocher
New St. Benedict The Moor Band Program Thrives
An Interview With Dr. Don Gibson
A Tribute To Taylor Carroll Sinclair