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Articles 1 - 15 of 15
Full-Text Articles in Music Practice
Greek Music Theory Vs. The Bible, Kearsten M. Kostelnik
Greek Music Theory Vs. The Bible, Kearsten M. Kostelnik
The Research and Scholarship Symposium (2013-2019)
The great philosophers of Ancient Greece have been studied in depth and are known throughout society. Famous Greek philosophers and writers, such as Plato and Pythagoras, formulated theories on musical philosophy — it’s purpose, use, dangers, power, and importance in society. Greek philosophy of music heavily influenced early European society’s view and development of music, it only partially supports Biblical views and principles of music and worship. Pythagoras introduces the theory that music is more than just entertainment with his notion of Music of the Spheres but fails to align with the biblical view of stars and planets as mere …
The Doctrine Of Affections: Emotion And Music, Kristen E. Jarboe
The Doctrine Of Affections: Emotion And Music, Kristen E. Jarboe
The Research and Scholarship Symposium (2013-2019)
The Doctrine of Affections originated in and is interpreted into the musical realm of the Baroque Era in the music of Bach, Handel, and others. The Doctrine of Affections is a theory created in the Baroque era that seeks to explain the effect that music has on the body. It seeks to personify music, and prove that music itself has the ability to produce a particular feeling, independent of the listener. This theory assumes that music has the ability to be an emotion, and that the particular emotion is located in the properties of the music itself. Johann Mattheson, the …
From Italian Opera To Estill: An Overview Of Bel Canto Style Singing Techniques From The Eighteenth Century To Modern Day, Phoebe R. Schoeneweis
From Italian Opera To Estill: An Overview Of Bel Canto Style Singing Techniques From The Eighteenth Century To Modern Day, Phoebe R. Schoeneweis
The Research and Scholarship Symposium (2013-2019)
This paper aims to communicate the ways in which the definition of Bel Canto style singing has changed and developed since the eighteenth century, as well as how the techniques of Bel Canto are still being used today and the way that they impact new and modern vocal techniques such as the Alexander Technique and Estill Voice Training. Solo vocal material has come a long way since the eighteenth century and vocal music has made huge strides in its difficulty and material. Old Italian School voice teachers used to teach the importance and proper use of such vocal features as …
From Modal To Tonal: The Influence Of Monteverdi On Musical Development, Haley J. Perritt
From Modal To Tonal: The Influence Of Monteverdi On Musical Development, Haley J. Perritt
The Research and Scholarship Symposium (2013-2019)
In efforts to prove the transition from modality to tonality in the late Renaissance era, this paper uses examples from the works of Monteverdi to reveal the shift to tonal music. By examining his background in music theory and his involvement within the church, it is evident that Monteverdi’s upbringing in music later affected his musical compositions. Being raised in Cremona, a city in close proximity with Milan, he was exposed to a wide variety of music and excellent instruction, especially from the church cantor Marc’ Antonio Ingegneri. Through score study and evaluation of Monteverdi’s early madrigals and his famous …
The Science Of Singing: A Voice Lesson From Anatomy And Physiology, Gracie Bennett
The Science Of Singing: A Voice Lesson From Anatomy And Physiology, Gracie Bennett
The Research and Scholarship Symposium (2013-2019)
The voice is the oldest instrument in existence. Throughout its history, there have been many vocal performances practices. The purpose of my research is to show the correlation between modern vocal practices and the current medical technology available to help us understand the physiology of the voice. I am studying and analyzing the vocal performance and pedagogical practices from the early church to present day. I want to know why these vocal strategies have changed over time. There have been several different schools of thinking in regards to vocal practices. From the Italian style bel canto singing that was widely …
The Triple Harp: The Unsung Hero Of Harp History, Brittany L. Roberts
The Triple Harp: The Unsung Hero Of Harp History, Brittany L. Roberts
The Research and Scholarship Symposium (2013-2019)
Graced with thousands of years of history, the harp has evolved and adapted to many different musical eras. A prime example of this is the triple harp, a precursor of the modern pedal harp. Before the invention of the pedals, harpists found it difficult to adjust to the increasing chromaticism found in the ornamentation and chord progressions of the Baroque era. However, harp builders were not deterred by this challenge. First built by Italian luthiers in the early 1600's, the triple harp featured three layers of strings stretched parallel to one another. The two outer layers were tuned diatonically to …
Musical Life In Russia From 1917-1953, Josiah Kenniv
Musical Life In Russia From 1917-1953, Josiah Kenniv
The Research and Scholarship Symposium (2013-2019)
This research focuses on Russian musical life in the Soviet Era, beginning in the Bolshevik Revolution in 1917, to the death of the Joseph Stalin in 1953. Much of the information is taken from books written by Russian authors who attempt to take this massive cultural and political change from the perspective of both the artist and the everyday citizen in Russia. The purpose of this project is to show how governmental reforms change musical life in Russia, and how composers and performers alike adapted to that change.
A Blend Of Traditions: The Lute’S Influence On Seventeenth-Century Harpsichord Repertoire, Audrey S. Rutt
A Blend Of Traditions: The Lute’S Influence On Seventeenth-Century Harpsichord Repertoire, Audrey S. Rutt
The Research and Scholarship Symposium (2013-2019)
The close relationship between the harpsichord and lute traditions is commonly claimed but rarely elaborated upon, and many experts disagree on the manner in and extent to which the two are related. Often, texts covering the early harpsichord literature will limit discussion of the lute’s influence to a brief mention of the style brisé, if the important connection between the two traditions is even mentioned all. The lute’s impact on the harpsichordists of the seventeenth century is not a facet that can be ignored; rather, an understanding of the lute tradition is essential to an understanding of the harpsichord tradition. …
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Research and Scholarship Symposium (2013-2019)
This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing the central …
Scholarly Debates: The Development Of Early Polyphony, Eleanor G. Raquet
Scholarly Debates: The Development Of Early Polyphony, Eleanor G. Raquet
The Research and Scholarship Symposium (2013-2019)
The records of early polyphony show development that progresses over time. How did these developments come about, and what caused polyphony to develop the way that it did? When one researches this topic, one discovers that most scholars have a different opinion on the factors that led to the development of polyphony. In this paper, I will prove that the development of early polyphony is not a simple linear process and is highly debated among scholars. Specifically, this paper examines and summarizes different scholars' opinions on the role of notation versus the oral tradition in the development of polyphony. It …
The Doctrine Of Affections In Music: Where Art Meets Reason, Sharri K. Hall
The Doctrine Of Affections In Music: Where Art Meets Reason, Sharri K. Hall
The Research and Scholarship Symposium (2013-2019)
The Doctrine of Affections was a widespread understanding of music and musicality during the Baroque era. The Doctrine was a result of the philosophy of reason and science as it coincides with music. It aimed to reconcile what man knew about science and the human body, and what man thought he knew about music. It was a reconciliation of practical musicianship and theoretical music which had begun to rise in the time. Though it is generally understood as being apart from Enlightenment thinking, the Doctrine is a result of Enlightenment-style philosophy. As the Enlightenment sought to explain why things occurred …
“Musical Fury”: Impressing Through Expressing In Baroque Improvisation, Hannah M. Rinehart
“Musical Fury”: Impressing Through Expressing In Baroque Improvisation, Hannah M. Rinehart
The Research and Scholarship Symposium (2013-2019)
Baroque music experienced a dramatic change in performance practice which sprang out of certain techniques used in the Renaissance period and the emphasis placed during this time on expression and emotion in music. In the Baroque time period, much emphasis was placed on expression, emotion, and creativity in both the academic sphere and in the arts. In the arts this can be seen in elaborate and decorative architecture, emotional and expressive paintings, and creative and individualized music. Music itself developed from the simple, structured forms of the Renaissance period to the driven, complex, emotional and expressive forms of the Baroque …
Birth Of The Pipes: The Organ From Its Beginnings Through The Baroque Era, Joshua Drake
Birth Of The Pipes: The Organ From Its Beginnings Through The Baroque Era, Joshua Drake
The Research and Scholarship Symposium (2013-2019)
The purpose of this presentation is to survey the development of the organ, which is one of the most magnificent and impressive musical instruments known to man. The main objective is also to explain how and why the organ developed the way that it did. Further, the presentation will attempt to answer the following questions: what deficiencies in the performance of early organs were organ builders trying to improve on, what differences in sound did they want new organs to be able to produce, and how did the needs and preferences of organists influence changes in organ design? The majority …
From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan Lyons
From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan Lyons
The Research and Scholarship Symposium (2013-2019)
The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. Eventually, early church leaders rejected that inclusion and developed a rather robust argument against instruments in liturgical worship. The totalitarian stance on musical instruments in sacred worship began to loosen as the organ increased in …
Coursing With Coils: The Only Orchestral Instrument Harder Than The French Horn, Sarah R. Plumley
Coursing With Coils: The Only Orchestral Instrument Harder Than The French Horn, Sarah R. Plumley
The Research and Scholarship Symposium (2013-2019)
Playing the horn has become not only more sophisticated and accurate, but simpler and more efficient for the horn player than what it was three hundred years ago. The natural horn, used in a variety ways in early history, demanded an incredible level of skill and precision, more than our valved horn today in some ways because it required a more accurate ear, more embouchure dexterity, and the necessity of wrangling crooks for different keys. Thus, it required many practiced skills of the player that are no longer as necessary as they once were. This paper discusses each of these …