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Full-Text Articles in Music Practice
Volume 57, Number 03 (March 1939), James Francis Cooke
Volume 57, Number 03 (March 1939), James Francis Cooke
The Etude Magazine: 1883-1957
Musical Quirks
Victor Herbert as I Knew Him: Memories of The Man and His Music
Simplicity as a Background for Art (interview with Guiomar Novaes)
Radio Flashes
Adult Piano Beginner: What Should be Done to Make the Hands Supple (interview with Isidor Philipp)
Hand and the Keyboard
William Mason—An American Master: High Lights in the World's Famous Piano Methods
Good Singing Must be Natural (interview with Bruna Castagna)
Recent Record Releases
Unknown Victor Herbert: Intimate Pictures of the Life of a Widely Loved Composer
Lazy Hand
Scrambling Pupil
Romance of Annie Laurie: The Story Behind One of the Most Famous …
Volume 54, Number 09 (September 1936), James Francis Cooke
Volume 54, Number 09 (September 1936), James Francis Cooke
The Etude Magazine: 1883-1957
Good Humor in Music: Do Composers Tend Toward the Sombre Colors, or Do They Inclinde Toward the Gay?
Radio and Music (interview with David Sarnoff)
Music at Harvard: From a Historical Review
Memories of William Mason and His Friends
Whetting the Children's Appetite for Music
A-440 by National Broadcast
Origin of Sousa's Name: Ridiculous and False Stories about the Ancestry of John Philip Sousa Which Should be Corrected by Etude Readers
Making Tempo Rubato Understandable
When Should Piano Study Be Commenced? A Question Asked by Thousands
Roll of Honor
Finger Independence as Applied to Bach's Fugues
How They Gave Early …
Volume 39, Number 08 (August 1921), James Francis Cooke
Volume 39, Number 08 (August 1921), James Francis Cooke
The Etude Magazine: 1883-1957
Momentous Musical Anniversary: P.M.T.A. Celebrates Thirtieth Anniversary of the Inauguration of a Movement Which Has Become Country Wide
Greatest Thing in Technic: Dr. William Mason's Vast Technical Vision
Musical Brain-Storms and Their Results
Heyday of Music
Vocal Masterpieces for the Masses (interview with Henri Scott)
Sustaining Pedal and What It Does to Piano Music
Musical Explorer
Pianist's Vitality
Keeping Up Interest in Your Music Club
Color Effects in Piano Playing
Don'ts for Scale Playing
Bug-Bear of Dotted Notes
Variety in Scale Practice
Bad Manners at Concerts
Look Up!
Variety at Lessons
Something New in Music Temperament and Musical Understanding
How …
Volume 32, Number 11 (November 1914), James Francis Cooke
Volume 32, Number 11 (November 1914), James Francis Cooke
The Etude Magazine: 1883-1957
Music in Canada
Edward MacDowell as a Teacher of Pianoforte: How the Most Eminent of American Composers Gave Instruction at the Keyboard
Waiting for Inspiration
What is America's Greatest Musical Need? A Symposium by Eminent American Musicians
Romance of Stephen Collins Foster
Three Principles of Musical Memorizing
Etude Master Study Page—The Real Wm. Mason
Interesting Studies in Piano Touch
Legion of Music Workers in America: A Wonderful Record Which Should Stir the Patriotic Pride of All American Music Lovers
To-morrow in American Music (interview with John Philip Sousa)
How to Develop Sight-Reading
Musical War Code Puzzle
How to Make Piano …
Volume 22, Number 11 (November 1904), Winton J. Baltzell
Volume 22, Number 11 (November 1904), Winton J. Baltzell
The Etude Magazine: 1883-1957
European Centers for Music Study: Weimar German Athens
Cranky Pupil
Physicians' Diagnosic for Young Practitioners
Elementary Harmony
Musical Analysis
How May We Widen Our Influence as Teachers?
Russia's Greatest Composer: Peter Iljitch Tchaikovsky
Thoughts on Mozart
Mechanical and Musical Side of Piano Teaching
Importance of Music Training for Boys
Some Mistakes in a Musical Education
Unpopularity of Classical Music
Dr. Mason on the Arm in Playing: What Does the Arm Actually Do in Piano Playing?
Volume 19, Number 10 (October 1901), Winton J. Baltzell
Volume 19, Number 10 (October 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
Useless Difficulties
Mechanical Accessories in Piano-Forte-Teaching
Our Pupils as Social Acquaintances
Waste in Musical Education
Orchestral Manner in Piano-Playing
Know the Meaning of Musical Terms
Blunder of Ambitious Students
McKinley
Interludes in Various Keys
Art of Learning to Study
First Studies in Music Biography
What Justifies the Choice of Music as a Profession?
English Women in the Orchestra
Women as Orchestral Players: An American Point of View
Volume 18, Number 07 (July 1900), Winton J. Baltzell
Volume 18, Number 07 (July 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Artist and the Machine
Dr. William Mason's Memoires
Tale of a Would-Be Musician
Whims and Fancies of Celebrated Musicians
Sir George Grove and Schubert
How of It
Early Composers and Copyrights of this Country
Collateral Summer Reading for Musicians
Educational Value of Program Music
Some Selected Quotes for Singers from Musical Mosaics
Patti's Advice to Singers
Adventures of a Musician
Hints to Play Triplets and Chords
Curious Discovery of a Genius
Advice to the Student of Harmony: Original Work
Saint-Saens and the Phonograph
Fashions in Pianos
Volume 17, Number 03 (March 1899), Winton J. Baltzell
Volume 17, Number 03 (March 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Loving-Cup to Dr. Mason
What a Composition Means
Education and Its Demands Upon the Modern Teacher
People to Cultivate
Training of the Ear
Popularity of Vocal Over Instrumental Music
Common-Sense Chat
Good Teacher Versus Good Player
Transformation of a Genius from a Musician's Diary
Opposition to the Violin for Girls
How to Get People to Attend Pupils' Recitals
Teaching as a Specialty
Status of Music-Study in America
Rubinstein's Theory of Practice
Curved Thumb
How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)
Matter of Temperament
On Special Editings and Annotations
Some Salient Points in Leschetitzky's Teaching
Concerts …
Volume 14, Number 02 (February 1896), Theodore Presser
Volume 14, Number 02 (February 1896), Theodore Presser
The Etude Magazine: 1883-1957
What Is It to Be Musical?
Jean Louis Micodé
Developing Musical Feeling
Wanted—A Looking-Glass for Teachers
Attention is Genius
Musical Education—How to Procure One at Little Cost
Tact and Success
Much Neglected Staccato Practice
Requisites for a Vocal Teacher
Two Teachers and What They Did
Schwigzebeer's Fatal Mistake
What All Should Know: A Few Facts about Modern Music and Musicians
Anecdotes About Von Bülow
Concerning Ear Training
Commendable List of Music—Grade I to X
Something More of Paderewski
Cast of Liszt's Hand
Love Your Neighbor as Yourself
Volume 12, Number 04 (April 1894), Theodore Presser
Volume 12, Number 04 (April 1894), Theodore Presser
The Etude Magazine: 1883-1957
Philadelphia Summer Music School
Technique and Feeling
Devitalized Wrist
Very Much to the Point
Valuable Contribution to Musical Criticism
Good Enough to Practice On
Classses in Biography and Musical History
Art Versus Prize-Getting
Women's Amateur Musical Clubs
Musical Taste
Public v. Private Pupils' Recitals
Review
Reason Why
Origin(?) of Certain Compositions
Some Secrets of Practice
Encourgting Young Musicians
What is Musical Intelligence?
Beethoven Sonatas
Wanted, in the Musical Profession, More Brains and Better Morals
Hints and Helps
In Jest
My Morning's Work
Let All Be Worthy and Well Tried
Necessary Reform in Charging Tuition
Extracts from Handy Music-Lexicon
Genius and …
Volume 11, Number 05 (May 1893), Theodore Presser
Volume 11, Number 05 (May 1893), Theodore Presser
The Etude Magazine: 1883-1957
Be Competent
How to Learn to Play with Expression
Progressive and Young Music Teachers and the Summer Music School
Value of Hard Work
Dr. William Mason
Clementi, Cramer, and Czerny
Curved Line
Imitative Teaching
Musical Study for Children
Hero Worship
Sharp Four in the Minor Mode
Exactness in Fingering
Model Student
Experience, Suggestions, Trials, Etc.
From the Teacher's Standpoint
Why They Fail
Re-Studying of Compositions
Concise Chronological History of the Chief Musicians and Musical Events from A.D. 1380-1885
Types of Muisc Teachers
Volume 11, Number 01 (January 1893), Theodore Presser
Volume 11, Number 01 (January 1893), Theodore Presser
The Etude Magazine: 1883-1957
Concerning Arm-Touch
Statement from Wm. Mason
Is the Musical Profession Over-Crowded?
Teachers and Teachers
Practical Suggestions
Concise Chronological History of the Chief Musicians and Musical Events from A.D. 1380-1885
List of Piano Studies
Patience
Pupils and Practice
Who Shall Select Pieces?
Musicians Have Good Memories
Teaching of Musical Form
Johannes Brahms
Foundations Work
Methods of Self-Education in Music
Pleasures of Musical Analysis
Phonograph in Music Study
Modern Musical Education
Pedagogical Aspect of Piano Teaching
Frederick Chopin
Teacher as a Missionary
Volume 10, Number 02 (February 1892), Theodore Presser
Volume 10, Number 02 (February 1892), Theodore Presser
The Etude Magazine: 1883-1957
What is Romantic Music?
Secret of Rapid Progress
Four-Hands Playing
Requisites for Voice Teachers
Value of Analysis for Pupils
One of a Music Teacher's Perplexities
Some Useful Pieces
Pen and Pencil Sketch of Beethoven
What is Musical Life?
Home Influence Upon the Pupil's Progress
Study of Rhythm
Faults and Their Remedies
University Extension, for the Systematic Home-Study of Music
Varieties of Legato Touch
How to Learn a Piece
How to Study—How to Tecah
Musical Analysis and Phrasing
European Conservatory in St. Louis
Volume 07, Number 11 (November 1889), Theodore Presser
Volume 07, Number 11 (November 1889), Theodore Presser
The Etude Magazine: 1883-1957
Dr. William Mason
Worth Repeating
Music to be Beautiful Must be Scientific
Counterpoint—Beethoven's Idea
New Course of Piano Instruction
Krause's Studies in Measure and Rhythm
Musical Prodigies
Thought Versus Emotion
Depressed Knuckle-Joint Piano Practice
Artistic Uses of the Practice Clavier
Talent—Pianistic Talent
Touch and Technic
Technique
Education
Chopin's Method of Teaching
Bidwell Pocket Hand Exerciser
Wanted: A Good Instruction-Book for Beginners
Emotional Character of the Different Keys