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Articles 1 - 12 of 12
Full-Text Articles in Music Practice
Volume 40, Number 12 (December 1922), James Francis Cooke
Volume 40, Number 12 (December 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Technique and Hand Training
Christmas Music, Past and Present
Music and the Arts
Whole-Tone Scale in Interlocking Octaves
Appeal of the Contralto
Device for Teaching Notes to Beginners
Musical Jealousy
Feel the Rhythm
How Music Clubs are Helping American Music
Behind the Scenes with Artists, Part 5
Particular Treatment of the Turn
Regular Lesson Plan for Teacher and Pupil
Most Important Musical Step
How Interest Stamps Musical Pictures on Your Mind
Foot Stools and Music Teachers
Just What Really is Practice?
Clinic on Footlight Fever
Relaxation Tests
Are You Guilty of the Double Movement?
Home Town Musical Comedy
Practicing Backwards …
Volume 40, Number 11 (November 1922), James Francis Cooke
Volume 40, Number 11 (November 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Getting the Right Start in Piano Playing
How to Acquire Technic in Musical Theory
Is the Teacher Without a Music Club as Successful as the Teacher with a Music Club?
What to Do at Children's Musical Parties
Scale Guide
Limitations of the Piano Keyboard
Piano Manners at the Pupils' Recital
Lesson on Chopin's Famous Raindrop Prelude, Opus 28, No. 15: A Practical Reduction of Notes to Dollars and Cents
Starting at the Cradle
Full Pay or Half a Mass
Recorder
Metamorphosis of Charles
Now and Then
Routine for Practical Teacher
Glimpses of Present Day Piano Study (interview with Myra Hess) …
Volume 40, Number 10 (October 1922), James Francis Cooke
Volume 40, Number 10 (October 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Funniest Experience I Ever Had in Opera: A Symposium in Which Many Operatic Celebrities Have Taken Part
Wagner in Parisian Days: Striking Pen Portraits of the Great Masters as Seen by a Brilliant Contemporary
American Music and Composers
Thanksgiving Hymn from Japan
Hand, Tone, Technic
Human Element in Fine Piano Playing (interview with Ernest Schelling)
What Have I a Right to Expect From My Teacher?
Are American Artists Being Denied a Square Deal in Their Own Country
How I Acquired a Relaxed Trill
Measuring Progress
Spread Chords
Names of Scale Degrees and Their Meaning
Some Impressions of the Music of …
Volume 40, Number 09 (September 1922), James Francis Cooke
Volume 40, Number 09 (September 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Music—The Joy and Need of Every Man (interview with Frank Crane)
Getting There Without a Teacher
Don't Stuff the Pupil
Staccato Marks, Touches and Tones
Undisturbed Practice
Basis of Musical Imagination
Marche aux Flambeaux
How to Get a Start in Chautauqua
Abuses the Teacher Should Not Tolerate
Encourage Melody Writing
Musical Biographical Catechism: Tiny Life Stories of Great Masters
Bring Out the Main Thought in Piano Playing: How the Suppression of the Superfluous Helps
How to Develop Legato Wthout Using the Pedal: A Real Test of Your Ability at the Keyboard
Value of Chords for Beginners
Planning a Recital
Making …
Volume 40, Number 08 (August 1922), James Francis Cooke
Volume 40, Number 08 (August 1922), James Francis Cooke
The Etude Magazine: 1883-1957
What the Modern Chautauqua is Doing for Music of All Kinds Everywhere in Our Country
Behind the Scenes with Artists, Part 2: Do Artists Practice Pure Technic?
Musical Biographical Catechism : Tiny Life Stories of Great Masters
When Mendelssohn Became a Journeyman
Paderewski and the Paper-Hangers
How to Get the Greatest Results form Practice
Italian Musical Terms
Meaning of Sub-Mediant
Some Personal Recollections of Hans Guido Von Bulow: Master in Black and White
Are You a Musical Nurse to Your Child?
Sound Reproducing Machine Records and the Private Teacher: An Intensive Study in Interpretation
Building Up a Class in a …
Volume 40, Number 07 (July 1922), James Francis Cooke
Volume 40, Number 07 (July 1922), James Francis Cooke
The Etude Magazine: 1883-1957
From Plow-Boy to Parsifal: The Remarkable Career of an Indiana Farmer's Boy Who Never Heard a Grand Opera Until Two Years After He was Married (interview with Orville Harrold)
Mixing Music with Brains: The Only Road to Success Hereafter
Making Habits That Help
Learning Bass Notes Simplified
How to Be Happy Though Practicing
Keeping Ahead of You Fingers
Dialogue on Scales
Ouija Board and Piano Practice
Verdi's Thoughts on Art
Some Secrets of Readng at Sight
Four Hand Playing
How Le Couppey Taught
Important Point in Phrasing
Little Lessons from a Master's Workshop, Part 9
Full-Measure Rest
How They Put …
Volume 40, Number 06 (June 1922), James Francis Cooke
Volume 40, Number 06 (June 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Radio Music for Everybody (interview with J. Andrew White)
How Kullak Got Back
Goldmark Avec Suite
Musicale at Dickens'
Hepling the Careless Pupil
Simple Facts About Harmony That Every Music Lover Should Know
Character in Sound
Legend of The Moonlight Sonata
Capture the Child's Magical Interest Early
Reminiscences of a Famous Prima Donna
Indicating Mistakes
Silent Music Lesson
Phrasing Made Simple for Earnest Piano Students
Is This the Ideal Position at the Piano?
Paganini Demanded Skill
Why Popular Songs Don't Last
Symphonies in Color—Silent Music
Practical Musical Note-Books
Helping a Limping Pupil
Know the Notes
Something About the Pause
Little …
Volume 40, Number 05 (May 1922), James Francis Cooke
Volume 40, Number 05 (May 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Many Roads to Artistic Playing (interview with Alexander Siloti)
Realizing Your Musical Ideals
Recorder: Intimate Glimpses of Famous Contemporaries
Music Facts from Plutarch's Lives
Mañana
Practical Technic for the Beginner
How Long is a Note
Cover to Protect Sheet Music
Hymn Values
Music in the Age of Seneca
Promoting Keyboard Accuracy
Taking Advantage
Rubinstein's Hungry Years
When Simplifying Why Not Simplify?
Pupils Who Discontinue
Time Saving Ideas in Pianoforte Practice
All About the Waltz
Music and Money
Little Lessons from a Master's Workshop
Remedies for Nervousness in Public Performances
Choking the Muse
Common Musical Matters in a New Guise
Maelzel …
Volume 40, Number 04 (April 1922), James Francis Cooke
Volume 40, Number 04 (April 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Good Beginnings in Vocal Art (interview with Emma Calvé)
Camille Saint-Saëns Parting Advice on Piano Study
Be Your Own Surgeon
Memory of a Great Conductor
What Berlioz Thought of Us
Too Much Practice is Waste: How to Get Results Without Nerve Drain and Muscular Fatigue by Employing Scientific Methods
Artist is Always Ready
Making Pupils Count
Fraudulent Musical Masterpieces
What Did the Ancients Mean by Music of the Spheres
Some New Facts about the Creator of the Nocturne: John Field of Dublin
Paste This in Your Instruction Book: Common Sense Hints to Piano Students
About Triplets
What Makes a Great …
Volume 40, Number 03 (March 1922), James Francis Cooke
Volume 40, Number 03 (March 1922), James Francis Cooke
The Etude Magazine: 1883-1957
What is the Most Important Work to Which the Music Clubs of America May Devote Their Efforts? A Nation-Wide Symposium
Beginnings of American Music: A Sketch of Our Musical Endeavor Up to the Early Years of the Last Century
What Our Music Clubs Need Most
Ingrowing Musical Clubs
Music Students in Small Towns
Getting More Pupils
Slow Practice with Exaggerated Accents
Opera a Year
What the National Federation of Musical Clubs is Doing to Help in Making America a Musical Nation
Heredity and Music
Club: A Municipal Personality
Beacon Lights of Opera, To-Day and Yesterday: Graphic Sketches of the Masters …
Volume 40, Number 02 (February 1922), James Francis Cooke
Volume 40, Number 02 (February 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Most Remarkable Pianoforte Recital Ever Given
Spirit of Chopin
More Reasons Why She Couldn't Hold Her Pupils
Remarkable Mind of Camille Saint-Saëns: Passing of the Great French Composer at Advance Age: A Review of his Works as Reflected from Some of His Writings, and From the Writings of His Friends
What the Teacher Should Demand
Saint-Saëns' Last Public Address
Musical Biographical Catechism: Tiny Life Stories of Great Masters
What Guido Suffered
How I Overcame the Greatest Obstacle in My Career, Symposium
Handel's Sensitive Ear
Unavoidable Practice
Little Lessons from a Master's Workshop
Exercises to Prevent Arm Strain
Vioin and the …
Volume 40, Number 01 (January 1922), James Francis Cooke
Volume 40, Number 01 (January 1922), James Francis Cooke
The Etude Magazine: 1883-1957
Would I Take Up Music Again? Symposium
Best Hand Position
Don't Threaten your Child
Should Grade Teachers Specialize in Music?
What Makes Piano Playing Interesting
Rehearse Phrases, Not Fragments
Teaching Rhythm in Class Lessons
Scale Solitaire
New Paths and Visions in Musical Progress (interview with Richard Strauss)
Chicago or Bayreuth
Robert Huntington Terry (photograph)
Musical Biographical Catechism : Tiny Life Stories of Great Masters
Little Lessons from a Master's Workshop
What the Piano Student Could Learn from the Violin Teacher
Humor and Music Teaching
Story of the Turn: Practical Advice Upon How to Play Such Embellishments
Most Helpful Piano Lesson …