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Full-Text Articles in Music Practice
The Percussionist's Guide To Music Theory Fundamentals, Mckenna M. Lee
The Percussionist's Guide To Music Theory Fundamentals, Mckenna M. Lee
Graduate Theses, Dissertations, and Problem Reports
The research priorities that I have established as a theorist, percussionist, and an instructor of both, have led me to a master's thesis project combining music theory practices within the study and performance of percussion repertoire. As the graduate assistant of the percussion department at West Virginia University, I have been teaching applied orchestral percussion lessons and leading percussion ensembles. In my experience, a number of first-year percussionists in the studio at WVU have had a limited background with reading definite pitches on the staff, and struggle with sight-reading and pitch identification, therefore making their Written I and Aural I …
Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality, Ian Thomas Riley
Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality, Ian Thomas Riley
Graduate Theses, Dissertations, and Problem Reports
Drawing upon the historical development of analog and digital technologies alongside the proliferation of computer-assisted performance practices, this research seeks to develop a framework for integrating Mixed Reality applications to live musical performance, specifically through the creation of a Microsoft HoloLens 2 Mixed Reality application in order to facilitate a live performance of an original musical composition for percussion and real-time Mixed Reality environment. Mixed Reality enables a performer to interact with virtual (holograms, VSTs, etc.) and physical (vibraphone, tuned drums, microphones, etc.) objects simultaneously. Tandem to the development of the conceptual framework was the composition of an original score …