Music Practice Commons^™

A Musicology Of Record Production - Research Creation, Gender, And Creative Reflective Practice In Project-Paradigm Music Production, Lydia Wilton

Electronic Thesis and Dissertation Repository

This research-creation project elucidates the “methodology” of producing records. As an artist-researcher, I investigate how a record producer uses the recording studio as a “musical instrument”. My primary research goal is to answer two fundamental questions about record producing that have yet to be addressed and which cannot be explored successfully by other means: “Does the record producer’s creative agency have musical consequences?”, and “If so, what are they?” Through the creative practices I adopted for this project’s artefact - an album of nine tracks, called Blasphemy, that I produced for the London, Ontario-based rock band Nameless Friends - …

The Effects Of Multilingualism And Music Experience On Tone And Vowel Discrimination Ability, Niloufar Ansari Dezfuly

Electronic Thesis and Dissertation Repository

This study investigates the effects of language background (monolingual/bilingual and early/late bilingual exposure), knowledge of a tonal language and music experience on auditory discrimination by employing tone and vowel discrimination tasks. A total number of 8,769 observations were analyzed using logistic regression to answer the following questions: (1) Do vowel and tone discrimination abilities correlate with language background in diverse groups of speakers such as monolinguals and bilinguals of different types (early/late bilinguals)? (2) Does musical training affect tone and vowel discrimination? (3) Does knowledge of tonal language affect tone discrimination? The findings suggest that with regard to vowel discrimination, …

Ann Southam's Solo Piano Music: A Performance Guide, Amelia G. Yates

Electronic Thesis and Dissertation Repository

Ann Southam (1937-2010) is one of Canada’s greatest contemporary composers. Best-known for her minimalist music, Southam composed twelve-tone, minimalist, jazz, and electroacoustic music for a variety of mediums including orchestral, chamber, and solo instrument. A significant portion of her creative output is for solo piano and this monograph is the first study of these works. This project demonstrates her wide-ranging approach to composition while also focusing on her minimalist music. It promotes Southam’s music and emphasizes her significance as a contemporary Canadian composer. This monograph can be used by performers, scholars, composers and teachers to deepen their understanding of Southam …

Heavy Metal Fundraisers: Entrepreneurial Recording Artists In Platform Capitalism, Jason Netherton

Electronic Thesis and Dissertation Repository

Abstract

How do cultural producers square customary understandings of what it means to be authentic and autonomous creators in new contexts characterized by digital-era entrepreneurial pressures and online platform-mediated financial opportunities? This study examines how heavy metal recording artists experience these pressures; how some of them engage in platform-based crowdfunding, argue over its legitimacy, and rationalize varying degrees of acceptance and dependence. First, my analysis centers on a case study which follows the experiences of a progressive metal band as they navigate a new financial relation in conjunction first with the fundraising platform Pozible and then the patronage-based crowdfunding platform …

See It And Believe It: An Investigation Into Singers' Imagery Use, Brianna Desantis

Electronic Thesis and Dissertation Repository

Sport and dance psychology researchers have shown, time and again, how imagery improves performance in their respective fields. In singing, imagery has a long history in the bel canto (beautiful singing) tradition but it is more linked to using metaphor and simile as teaching aids rather than a mental practice technique to improve performance. Because of this, imagery in singing is even broader than imagery in athletics or dance. Moreover, imagery in singing psychology has not been as thoroughly examined in an empirical setting, especially not from a sport and dance psychology perspective.

This monograph aims to outline the term …

"I Need To Fight The Power, But I Need That New Ferrari": Conspicuous Consumption, New-School Hip-Hop And "The New Rock & Roll", Emmett H. Robinson Smith

Electronic Thesis and Dissertation Repository

2017 marked the year in which hip-hop officially became the most listened-to genre in the United States. This thesis explores hip-hop music’s rise to its now-hegemonic position within the music industry, seeking to provide insight into the increasingly popular sentiment that hip-hop is “the new rock & roll”. The “new-school” hip-hop artists of the last six years or so have also been the subject of widespread critical disdain, especially for their heightened degree of emphasis on conspicuous consumption. This study will track hip-hop’s ascent from the mid-1980s through to its current position as both a political vehicle and a commercial …

Audio Mastering As A Musical Competency, Matthew T. Shelvock

Electronic Thesis and Dissertation Repository

In this dissertation, I demonstrate that audio mastering is a musical competency by elucidating the most significant, and clearly audible, facets of this competence. In fact, the mastering process impacts traditionally valued musical aspects of records, such as timbre and dynamics. By applying the emerging creative scholarship method used within the field of music production studies, this dissertation will aid scholars seeking to hear and understand audio mastering by elucidating its core practices as musical endeavours. And, in so doing, I hope to enable increased clarity and accuracy in future scholarly discussions on the topic of audio mastering, as well …

Audio Mastering As Musical Practice, Matt Shelvock

Electronic Thesis and Dissertation Repository

This thesis examines audio mastering as musical communication. Tasks including loudness management, harmonic balance, denoising, phase alignment, monitoring, effects application, and administrative responsibilities are of central importance to mastering engineers. With the exception of administrative responsibilities, each of these tasks significantly shapes a record’s aesthetic character and physical makeup. These contributions – the final creative steps before an album’s release – demonstrate the mastering engineer’s role as a collaborative auteur in recorded musical communications.