Open Access. Powered by Scholars. Published by Universities.®

Music Practice Commons

Open Access. Powered by Scholars. Published by Universities.®

University of Nebraska - Lincoln

Music Theory

Piano

Articles 1 - 1 of 1

Full-Text Articles in Music Practice

Tracing The Development Of Vivaldi's "L' Estro Armonico" Concerto No.8 In A Minor Through J.S. Bach And Samuil Feinberg's Keyboard Transcriptions: Exploring The Possibilities Of A Modern Authentic Performance, Andreas Xenopoulos May 2014

Tracing The Development Of Vivaldi's "L' Estro Armonico" Concerto No.8 In A Minor Through J.S. Bach And Samuil Feinberg's Keyboard Transcriptions: Exploring The Possibilities Of A Modern Authentic Performance, Andreas Xenopoulos

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

This document explores the development of the Concerto No.8 in A minor from the collection L’Estro Armonico by Antonio Vivaldi (1678–1741) through the transcriptions by Johann Sebastian Bach (1685–1750) and Samuil Feinberg (1890–1962). Feinberg was a Russian and Soviet pianist, composer and piano pedagogue, highly influenced by the teaching of Franz Liszt and the principles of the new, modern ‘piano school’ during the end of the 19th century. Biographical information about Samuil Feinberg along with the influences Franz Liszt had upon piano education in Russia and the Moscow conservatory in particular is offered. Two comprehensive comparisons between the two …