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Mozart

Performance Practice Review

Articles 1 - 2 of 2

Full-Text Articles in Music Practice

Saint-Saëns's View On The Performance Of Early Music, Robert Stevenson Jan 1989

Saint-Saëns's View On The Performance Of Early Music, Robert Stevenson

Performance Practice Review

In a published lecture originally given in San Francisco in 1915, Saint-Saens discusses performance issues in the music of Palestrina, Rameau, Bach, and Mozart.


Concerning The Performance Of Mozart's Concert Arias K. 294 And K. 528, Nicole Baker Jan 1989

Concerning The Performance Of Mozart's Concert Arias K. 294 And K. 528, Nicole Baker

Performance Practice Review

Vocal treatises of the 18th c. and recent research suggest that Mozart's concert arias should be embellished with restraint. Appropriate ornaments include turns, filling-in patterns, appoggiaturas, and short cadences at elongated fermatas. Two arias--Alcandro lo confesso...Non so d'onde viene, K.294, and Bella mia fiamma...Resta, o cara, K.528--are discussed in more detail.