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Full-Text Articles in Music Practice
Saint-Saëns's View On The Performance Of Early Music, Robert Stevenson
Saint-Saëns's View On The Performance Of Early Music, Robert Stevenson
Performance Practice Review
In a published lecture originally given in San Francisco in 1915, Saint-Saens discusses performance issues in the music of Palestrina, Rameau, Bach, and Mozart.
Concerning The Performance Of Mozart's Concert Arias K. 294 And K. 528, Nicole Baker
Concerning The Performance Of Mozart's Concert Arias K. 294 And K. 528, Nicole Baker
Performance Practice Review
Vocal treatises of the 18th c. and recent research suggest that Mozart's concert arias should be embellished with restraint. Appropriate ornaments include turns, filling-in patterns, appoggiaturas, and short cadences at elongated fermatas. Two arias--Alcandro lo confesso...Non so d'onde viene, K.294, and Bella mia fiamma...Resta, o cara, K.528--are discussed in more detail.