Music Practice Commons^™

The History Of The Guitar, Júlio Ribeiro Alves

Music Faculty Research

Conceived as instructional material for the guitar students at Marshall University (or anyone interested in the subject), it presents the historical process of the guitar in a clear and attainable fashion. Several topics related to the guitar will be discussed in detail throughout the book: the postulates associated with its origins, its evolution through the centuries, its repertoire, composers, performers, techniques, etc., culminating with the achievement of the privileged status of a respected concert instrument which it currently possesses.

The Production Of Sticky Notes And Bible Quotes: Godly Answers For Sticky Situations A Children’S Musical As Directed By Julie Brinkman, Julie Elizabeth Brinkman

Honors College

This thesis reflects upon a director’s experience while directing her first production: Sticky Notes and Bible Quotes: Godly Answers for Sticky Situations by Dennis and Nan Allen. This children’s musical was produced in cooperation with Wylie United Methodist Church of Abilene, TX. Over forty children, with the help of ten adult volunteers, shared the importance of memorizing scripture and looking to God’s Word in times of trouble through song, skits, and the recitation of scripture. While reflecting upon the production process after each rehearsal, the director makes connections between her experiences as director, the content of her music education undergraduate …

Music Theatre Directing For The Vocal Performance Student: A Practical Application Of Knowledge And Skills, Samuel Martin Snyder

Honors College

As an application of skills acquired in the course of a four-year Bachelor of Music program, this thesis constitutes the physical documentation of the creative process for Jeanine Tesori’s Violet, the musical production selected for this project. Encompassing in a linear format license contracts, casting, creative development, rehearsal planning and conducting, administrative duties, musical analysis, and artistic instruction, the contents of this document represent in part the steps and components required to realize a full musical production – each one accomplished by the student director. In addition to the physical elements, a full recording of the final performance is available, …

"The Rameau Compendium" By Graham Sadler, Mary Cyr

Performance Practice Review

Mary Cyr discusses and reviews Graham Sadler's 2014 work.

Sadler, Graham. The Rameau Compendium. Suffolk: Boydell Press, 2014.

ISBN: 978-1-84383-905-1

The Off-Board String On The Medieval Fiddle, Linda Marie Zaerr

Performance Practice Review

Drawing on explicit descriptions, iconographic representations, and contemporary narrative, this essay analyzes playing techniques and repertories plausible for one type of medieval fiddle and suggests that notions of historical fiddle performance may need to expand to accommodate the aesthetics and techniques implied by the off-board fiddle.

While it has been widely assumed that the left thumb was used to pluck the laterally divergent string described by Jerome of Moravia, the complete body of evidence suggests an alternative interpretation: the thumb can be used to stop this off-board string, extending the melodic range of the instrument down to a step below …

About This Issue, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Folk/Traditional Music From West Virginia Arranged For Classical Guitar Ensemble, Júlio Ribeiro Alves

Júlio Ribeiro Alves

My motivation for writing this book grew from my desire to better understand the people and the music heritage of West Virginia and to share the findings of my experience, with the guitar community, in the form of guitar ensemble arrangements.

Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii

Yale Journal of Music & Religion

From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.

From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …

Preaching And The Power Of Music: A Dialogue Between The Pulpit And Choir Loft In 1689, Markus Rathey

Yale Journal of Music & Religion

During the ecclesiastical year 1689-90 the Lutheran superintendent in Leipzig, Johann Benedict Carpzov, and his cantor, the composer Johann Schelle, embarked on a collaboration of unusual scale. In the previous year, Carpzov had preached a cycle of sermons based on well-known hymns from the Lutheran tradition. In 1689-90 Carpzov gave a short summary of the earlier hymn sermons, while Schelle composed for each Sunday a cantata based on the very same hymn. The result is a unique collaboration between preacher and musician, pulpit and choir loft. Only a few of Schelle’s compositions have survived; however, the extant cantatas together with …

Through A Wheat Field; To A Pond, Ian Mikyska

The Goose

Poetry by Ian Mikyska

A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton

Dissertations

As we approach the twenty-first century, the world generally is moving away from the dominance of the European aesthetic towards a world music that owes much to the musical resources of the African-American tradition. Jamaica’s social and philosophical music belong mainly to that tradition, which includes the use of rhythms, and timbral and melodic resources that exist independently of harmony. Already in this century, Jamaicans have created two totally new music - Nyabinghi, which performs a philosophical function and Reggae, which performs a social function. The choral music of Noel Dexter is important because it is uniquely Jamaican/Caribbean in its …

Highlights In Jazz Concert 324- Jazz Past And Present, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, June 11th, 2015 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Randy Weston, Billy Harper, Steven Frieder, Benny Benack, Dylan Meek, Devin Starks, and Kosta Galanopoulos.

Project Llama: Making A Cappella Arranging Easier, Jason Lu

Liberal Arts and Engineering Studies

This project was intended to improve the current state of a cappella arranging. It explains the problems with current tools and explores other options.

'Sing Unto The Lord A New Song--Just Not That One!' A Case Study Of Music Censorship In Free Will Baptist Colleges, Jon Edward Bullock

Masters Theses

Like so many of the world’s other religious institutions, the Christian church has a long and well-documented history of using music to enhance and enliven the spiritual experiences of believers. Many of the church’s greatest champions throughout history have spoken about the inherent power of music, but as history always seems to demonstrate, along with power comes the need for control. As long as church leaders have used music to attain spiritual progress, they have also censored music that threatens to impede that progress. Even today, many church leaders still rely on music censorship to protect the future and identity …

Perceptions Of Guitar Use And Training In Music Therapy: A Survey Of Clinicians, Joshua Robert Keller

Masters Theses

The purpose of this study was to examine music therapists' perceptions of guitar use and training in clinical practice. Three major research questions dealt with guitar use, guitar training, and clinicians' confidence using the guitar in clinical practice. A quasi-random sample of 1000 board-certified music therapists were invited to complete an online questionnaire with 27 questions in the areas of guitar use, guitar training and experience, and the importance of 28 specific skills. One hundred fifty music therapists (n = 150) responded.

Major findings include: (1) clinicians appear to use the guitar frequently and, on average, see guitar skills as …

Use Your Words: A Lyrical Guide To The Opera-Inspired Paraphrases Of Antonino Pasculli (1842-1924), Aaron S. Hill

Dissertations, 2014-2019

There are currently ten available works by Antonino Pasculli (1842-1924) for solo oboe or English horn and accompaniment inspired by themes from nineteenth-century operas by Bellini, Donizetti, Meyerbeer, and Verdi. These pieces are so virtuosic that Pasculli has been dubbed the “Paganini of the Oboe.” The technical demands can be so high that performers can neglect to approach artistic and scholarly interpretation of his lyrical passages. Some editions of his music list the referenced act and scene number from the original source. No existing editions include complete text from the original vocal excerpts or the context from the plots of …

Highlights In Jazz Concert 323- Salute To Wycliffe Gordon, Jack Kleinsinger

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, May 7th, 2015 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Jay Leonhart, Terell Stafford, Aaron Diehl, Adrian Cunningham, Ted Rosenthal, Alvin Atkinson, Yasushi Nakamura, and Wycliffe Gordon.

Psappha By Iannis Xenakis: Developing Multiple Percussion Literacy, Owen Phillip Rockwell

Dissertations

Psappha by Iannis Xenakis was written for a solo percussionist in 1975, and since then has been performed almost exclusively by elite musicians. The work suffers from broad neglect by students and professionals alike, because the structure and notation are difficult to access. Through Psappha, Xenakis created an alternative approach to serialist and chance compositional techniques that enabled him to communicate what he believed was rhythm in its purest form. The notation is unconventional and challenges the performer to approach Psappha in a similar manner. The main thrust of this project was to re-imagine the work in a more …

Virtuoso Violinist Maud Powell: Enduring Champion For American Women In Professional Music, Sarah Joy Pizzichemi

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Maud Powell, the first great American virtuoso violinist, sparked a change in the spirit of the advancement of classical music throughout North America in the late nineteenth and early twentieth centuries. This document addresses gender inequality present in the classical music profession during Powell’s lifetime. It also explores the roles women occupied in the public and private spheres in Western art music of the nineteenth and early twentieth centuries. More specifically, it investigates the life of virtuoso violinist Maud Powell through her activism and interest in American women in professional music.

The document is divided into three parts. After a …

Love's Austere And Lonely Offices: An Analysis Of Tom Cipullo's America 1968, Joshua Zink

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

My study reveals how the music of Tom Cipullo’s America 1968 mirrors the theme of adversity leading to resolution as found in the poetry of Robert Hayden. This study should serve the purposes of investigating Cipullo’s music in relationship to Hayden’s poetry, and be a practical tool for anyone interested in performing these marvelous pieces. This study contains an introduction, a systematic look at each poem and song, and a conclusion reflecting upon my findings.

Advisor: William Shomos

The Evolution Of The Cello Endpin And Its Effect On Technique And Repertoire, William Braun

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

This document investigates how the concept of a lifting device has evolved into the modern endpin that is a now a standard part of the cello. The endpin has a unique history that, prior to this writing, has not yet been fully documented. The evolution of the endpin has caused significant changes to cello technique, as its use, or lack of, alters the basic posture and setup of the instrument on the cellist’s body. Written and iconographic evidence show that endpins and other lifting devices have been used throughout all eras of the cello’s history. There are many instances when …

A Choral Conducting Portfolio, Sydney J. Sewell

Honors College Theses

This project is a cumulative portfolio of my work as a conductor during the past two years of undergraduate study. It is designed to prepare me for both graduate school auditions and the graduate level work-load. I have evaluated myself as a conductor, filmed videos of myself conducting rehearsals and performances, attended conducting master classes and completed a comprehensive analysis of choral works that I have studied or conducted. I have also included evaluations by mentors or professors administered throughout the course of the project. The project demonstrates by its very nature my growth as a conductor over the course …

The Budding Musician: A Method For Developing Cognitive And Physical Proficiency At The Piano, Lauren M. Hartburg

Senior Honors Theses

A comprehensive piano curriculum involves physical performance development alongside musicianship training. This thesis will discuss the decline in music literacy alongside research supporting the benefits of a creative, holistic, flexible music education program. These items will then be applied to developing an elementary piano curriculum. A four-volume piano method emphasizing theory and musicianship in the context of performance literature is outlined and level one is presented in detail.

Beethoven Ahead Of His Time: Sonata In C Major No. 21 Op. 53, Carolina E. Perez Ms.

Honors College Theses

This research looks at the work of Ludwig van Beethoven’s Sonata in C major No. 21 Op. 53. A historical, theoretical, and technical analysis helps set a foundation for a better comprehension of the work and influence the overall performance.

The University Of Arizona. Trester Piano Competition, Finals. Adjudicator 4.19.2015, Oscar E. Macchioni

Oscar Macchioni

No abstract provided.

Salsa For Everyone!, The University Of Maine Department Of Music

Cultural Affairs Distinguished Lecture Series

Bobby Porcelli and his Afro Latin Jazz Group featuring members of the Arturo O'Farrill Orchestra play a concert and hold several classes related to music performance and dance on the UMaine campus.

Transient Canvas / Sci Region 1 Conference, The University Of Maine College Of Liberal Arts And Sciences

Cultural Affairs Distinguished Lecture Series

The School of Performing Arts' Music Division will be hosting the Society of Composers Region 1 (New England) conference this October 22-24. There will be several concerts of the music of visiting guest composers, performers and of Umaine Faculty. We also will be hosting, as guest artists for one concert within the festival: a clarinet and percussion duo from Boston, Transient Canvas.

The Society of Composers, Inc. is a national organization that sponsors events across the country. UMaine's Region 1 Conference will focus on New England composers. We expect to have 4-5 concerts of a combination of visiting musicians and …

Amanda Bistolfo, Conductor, Amanda Bistolfo

School of Music Graduate Recitals

• AMANDA BISTOLFO, Conductor
• Collegium Musicum Singers
• Collegiate Singers
• Instrumental Ensemble

Highlights In Jazz Concert 322- Saxophones Supreme Battle Of The Saxes, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, March 19th, 2015 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Peter Anderson, Will Anderson, Ken Peplowski, Grant Stewart, Ehud Asherie, Neal Miner, Aaron Kimmel, and the Lou Donaldson Quartet.

Editorial, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.