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Full-Text Articles in Music Practice

Piano Study And Gender Associations: A Query Into The Perceptions Of Children Ages Five To Fourteen, Richard C. Winfree Dec 2008

Piano Study And Gender Associations: A Query Into The Perceptions Of Children Ages Five To Fourteen, Richard C. Winfree

Music Theses & Dissertations

From its inception, male composers and performers such as Bach, Mozart, Beethoven, Brahms, Rachmaninoff, Cliburn, and Kempffhad dominated piano performance. Recent research suggests, however, that the piano has been designated with a feminine gender stereotype. The purpose of this study was to examine the perceptions of public school children ages five to fourteen years old relative to gender association and piano study to determine if a gender stereotype existed and at what age, if any, the stereotype stabilized.

To achieve this purpose, two surveys were created and implemented by the researcher. The first survey was administered to 879 students in …


Inside Unlv, Diane Russell, Shane Bevell, Jennifer Vaughan Oct 2008

Inside Unlv, Diane Russell, Shane Bevell, Jennifer Vaughan

Inside UNLV

No abstract provided.


Unlv Magazine, Tony Allen, Afsha Bawany, Barbara Cloud, Holly Ivy De Vore, Gian Galassi, Matthew K. Jacobsen, Michelle Mouton, Erin O'Donnell, Shane Bevell, Cate Weeks Apr 2008

Unlv Magazine, Tony Allen, Afsha Bawany, Barbara Cloud, Holly Ivy De Vore, Gian Galassi, Matthew K. Jacobsen, Michelle Mouton, Erin O'Donnell, Shane Bevell, Cate Weeks

UNLV Magazine

No abstract provided.


On Est Ensemble: A Participatory Study Of The Jembe Tradition As Preserved By The Griots Of West Africa, Joel Rowe Apr 2008

On Est Ensemble: A Participatory Study Of The Jembe Tradition As Preserved By The Griots Of West Africa, Joel Rowe

Independent Study Project (ISP) Collection

In this study, I examine how a culture’s values are reflected in a specific pedagogical process through participant observation; in essence, I endeavor to examine first-hand the anthropology of pedagogy. The jembe, in truth, is comparable to a window into both the teaching model of a Senegalese master drummer and the cultural values reflected in his pedagogical method. In learning to play the parts of seven jembe rhythms with fluidity and recording their cultural significances, I discover the elements of criticism and sacrifice deeply inlaid in the tradition of this instrument. Relative to the communal setting of the griot family …