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Articles 1 - 11 of 11
Full-Text Articles in Music Practice
Volume 30, Number 11 (November 1912), James Francis Cooke
Volume 30, Number 11 (November 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Benefit of Playing in the Polyphonic Style
Master Study Page—The Real Gounod, 1818-1893
Keep the Finger Nails Trimmed
With the World's Great Educators—Rousseau
Selecting Standard Classics for the Study Season
Well Known Composers of To-day—W.D. Armstrong
Volume 30, Number 10 (October 1912), James Francis Cooke
Volume 30, Number 10 (October 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Master Study Page—The Real Beethoven, 1770-1827
Reminiscences of Some Famous Musicians
Famous Mythological Characters in Music
Selected Technical Truths from World Famous Pianists: Gems of Pedagogical Thought Crystallized in the Crucible of Time and Experience
Solving the Missed Lesson Problems
Wrist in Piano Playing
What Every Teacher Should Know About Teaching: Home-Study Hints on the Greatest of Arts
Selecting Standard Classics for the Study Season: Useful Pianoforte Pieces for Special Development
Jules Massenet, Eminent French Master, Passes Away
Death of Samuel Coleridge-Taylor
Well Known Composers of To-day—J. Lamont Galbraith
Wagner on How Mendelssohn Conducted Beethoven
Practical Hints on Securing New …
Volume 30, Number 09 (September 1912), James Francis Cooke
Volume 30, Number 09 (September 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Need for a Good Position at the Keyboard
Interesting Vacation Trip to Mozart's Workshop
New Thoughts on the Physiology of Practice
His Majesty's Violins: A Tale of the Court of Louis XIV
Leschetizky on the Pedals
Why Should We Have Pieces for Left Hand Alone?
Pointers on Position at the Piano
Famous Mythological Characters in Music—Apollo
Some Personal Recollections of Chopin
Excessive Octave Practice
Well Known Composer Reaches Opus 1000—Arnold Sartorio
Some Conundrums on Musicians' Names
Women in the Orchestra
About Verdi's Operas
Volume 30, Number 08 (August 1912), James Francis Cooke
Volume 30, Number 08 (August 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Position at the Piano
Carnival Music
Busoni and the Press
Correct Position at the Keyboard: A Symposium
Characteristic Features of Russian Music
Reading Music Like a Book
Exciting Musical Career of Tillie Clapsaddle
Famous Mythological Characters in Music—Pan
His Majesty's Violins: A Story of Music at the Court of Louis XIV
Bright Sayings of Famous Masters
Odd Effect of Music on Animals
Volume 30, Number 07 (July 1912), James Francis Cooke
Volume 30, Number 07 (July 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Great Musicians on Their Contemporaries
Training of the Pianist of the Future (interview with Wilhelm Bachus)
Schumannisms
Musical History During the Piano Lesson
Modern Ideas on Broken-Chord Practice
Playing Duets with Schumann
How I Gave My First Lesson: A Symposium of Particular Interest to Your Teachers and Students Who Aspire to Be Teachers
Analysis Guide to Intelligent Musical Interpretation
Famous Mythological Characters in Music: Orpheus
Bishop Who Wrote Operas
Berlin's Concerts
Volume 30, Number 06 (June 1912), James Francis Cooke
Volume 30, Number 06 (June 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Clara Schumann's Father on Study
How Analysis Benefits the Piano Pupil (interview with Katharine Goodson)
Selecting Piano Studies that Insure Progress
Famous Mythological Characters in Music—Sappho
To Memorize or Not to Memorize
How Chopin Played: As told by Liszt, Schumann, Mendelssohn and Other Contemporaries
Hours with Leschetizky (interview with Lolita D. Mason)
Rubinstein's Bitter Valedictory
Tributes of Noted Musicians to the Memory of the Late W.S.B. Mathews
How the Mind Should Guide the Body in Practice
Dramatic Moments in the Careers of the Masters
Well-Known Composers of To-day—Charles Wakefield Cadman
Volume 30, Number 05 (May 1912), James Francis Cooke
Volume 30, Number 05 (May 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Conquering the Stiff Wrist
Passing of W.S.B. Mathews
Important Points Frequently Neglected in the Study of Pianoforte Works
From Beethoven to Wagner
Mental Effect of Tones
Married Woman Pupil
Great Pianists at the Keyboard: A Lesson in Position (portraits)
Symposium on Position at the Keyboard
Some Secrets of Success in Playing in Public
Some Royal Musicians
Student Days with Dvorák
Well-Known Composers of Today—George Eggeling
Composers as Conductors
Volume 30, Number 04 (April 1912), James Francis Cooke
Volume 30, Number 04 (April 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Famous Standard Etudes: Their Value to the Teacher and to the Music Student
How George Bernard Shaw Learned to Play the Piano
Pitfalls in the Road to Musical Success
Daily Hints for Diligent Pupils
Perplexing Embellishments and Their Execution
Mental Technic of Memorizing
I Could Play it All Right at Home
Some Practical Helps to Sight Reading
How Small Hands May be Trained To Play Arpeggio Chords
Modern French and German Opera
Real Ole Bull, Personal Reminiscences
Little Known Musical Facts
Road to Expression (interview with Harold Bauer)
Well Known Composers of To-day—Robert M. Stults
Volume 30, Number 03 (March 1912), James Francis Cooke
Volume 30, Number 03 (March 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Some Facts about Musical Ireland
Artistic Aims in Piano Playing (interview with Harold Bauer)
Chopin and the Tempo Rubato
Centurion Composers of Opera
Mendelssohn's Phenomenal Memory
Gluck's Operatic Ideals
How to Execute Mordents, Trills and Appoggiaturas
Modern Italian Opera: Its Tendencies and Its Composers
Offenbach's Remarkable American Experiences
Making a Success of the Pupils Recital: With Important Suggestions upon Overcoming Stage Fright
Ten Most Important Epochs in Musical History
Adventurous Composer of Maritana
Volume 30, Number 02 (February 1912), James Francis Cooke
Volume 30, Number 02 (February 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Probable Origin of Syncopation
Opera of the People (interview with Victor Herbert)
Boccherini and His Friends
If My Daughter Should Study for Grand Opera (interview with Andreas Dippel)
When Different Pupils Make the Same Mistakes
How a Great Operatic Production is Prepared: Opinions from Many Celebrated Specialists upon a Subject of Much Human Interest to all Music Lovers
Grand Opera as a Business
Self-Help in Voice Study (interview with Charles Dalmores)
Alphabet of the Opera Composers
Names of the Notes in Other Languages
Success at the First Lessons: Five Important Points for Teachers to Remember and Employ
Well-Known Composers of …
Volume 30, Number 01 (January 1912), James Francis Cooke
Volume 30, Number 01 (January 1912), James Francis Cooke
The Etude Magazine: 1883-1957
Italy, the Home of Grand Opera (interview with Enrico Caruso)
Interpretation of Beethoven's Piano Masterpieces
Progress in Piano Playing (interview with Josef Holmann)
Beginnings of Opera
Ten Most Famous Opera Singers of the Last Century
Should American Opera Aspirants Study Abroad?
Bel Canto: The Foundation of All Successful Operatic Singing (interview with Bernice de Pasquali)
Prolific Opera Composer
Improving Arpeggio Chord Playing
Last Work of Wagner, Parsifal
Mystery of the Lethbridge Strad
$10,000 Stradivarius Violin Demolished by Unknown Fanatic