Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Publication Year
- Publication
-
- The IASJ Journal of Applied Jazz Research (2)
- Australian Journal of Teacher Education (1)
- Capstone Projects and Master's Theses (1)
- Cultural Affairs Distinguished Lecture Series (1)
- Dissertations, 2020-current (1)
-
- Dissertations, Theses, and Capstone Projects (1)
- Electronic Theses and Dissertations (1)
- Honors Scholars Collaborative Projects (1)
- Lawrence University Honors Projects (1)
- Lisa Rae Philpott (1)
- Recital Papers (1)
- The Etude Magazine: 1883-1957 (1)
- Theses : Honours (1)
- Theses and Dissertations (1)
- Theses and Dissertations--Music (1)
- Theses: Doctorates and Masters (1)
- Western Libraries Presentations (1)
- Williams Honors College, Honors Research Projects (1)
- Publication Type
Articles 1 - 19 of 19
Full-Text Articles in Music Practice
An Examination Of Maria Schneider’S Big Band Artistry Through The Lens Of Wind Band Arranging, Amy Birdsong
An Examination Of Maria Schneider’S Big Band Artistry Through The Lens Of Wind Band Arranging, Amy Birdsong
Dissertations, 2020-current
Within the world of instrumental music there tends to be strict adherence to styles and genres that have historically been connected to a standard collection of instruments. Wind ensembles are expected to perform contemporary art music, orchestral transcriptions, or military marches, with little expectation of individual creative interpretation. Jazz ensembles, or “big bands,” are expected to perform styles of music such as “swing,” which cannot be properly notated using western notation, while also being rigidly glued to reduced instrument choices, repetitive chord cycles and standard song forms. While wind ensemble performers are confined to read and perform all aspects of …
Exploring Jam Sessions In New York, Ricardo Pinheiro
Exploring Jam Sessions In New York, Ricardo Pinheiro
The IASJ Journal of Applied Jazz Research
This paper addresses the relationship between jazz jam sessions in Manhattan, and the concepts of Scene, Ritual and Race. These issues emerged during research that, from an ethnomusicological perspective, focused on the role of jam sessions in Manhattan as a privileged context for the following:
i) learning performative styles of jazz,
ii) developing the creative process,
iii) constructing professional networks,
iv) establishing of the status of musicians.
Studying and analysing the jam sessions at five jazz performance venues in New York, I demonstrate the vital importance of participating in jam sessions by examining their relationship with this performative occasion (Pinheiro …
Improvisation, Consciousness And Cosmos: An Integral View Of Jazz Research, Ed Sarath
Improvisation, Consciousness And Cosmos: An Integral View Of Jazz Research, Ed Sarath
The IASJ Journal of Applied Jazz Research
Ed Sarath on improvisation, consciousness and cosmos, as well on integral theory.
An Analysis Of Allan Holdsworth’S Techniques And Their Application To Fundamental Melodic Devices, James Dasilva
An Analysis Of Allan Holdsworth’S Techniques And Their Application To Fundamental Melodic Devices, James Dasilva
Recital Papers
This thesis analyzes Allan Holdsworth's improvisational style for the purpose of applying his techniques, such as string skipping and omnidirectional fretboard movement, beyond the jazz-rock idiom and expanding the melodic potential of the guitar.
The G7 Suite: Score And Analysis, Joseph C. Dunn
The G7 Suite: Score And Analysis, Joseph C. Dunn
Theses and Dissertations--Music
The G7 Suite is a multi-movement chamber work that combines elements of European Art Music, Indigenous Music from Latin America, and various representations of American music. The melodic material is derived from the national anthems of the Great Seven nations: Canada, France, Germany, Italy, Japan, the United Kingdom, and the United States. Each melody is re-set to new music genres and aligns itself to the rules and expectations within each idiom. This compilation is more than a series of arrangements or reharmonizations of the anthems; these are new compositions based on melodic elements from previous works.
This analysis of The …
Coltrane Plays The Blues: Multi-Level Coherence And Stylistic Tendencies, Lukas Gabric
Coltrane Plays The Blues: Multi-Level Coherence And Stylistic Tendencies, Lukas Gabric
Dissertations, Theses, and Capstone Projects
As a principal musical figure of the twentieth century, John Coltrane created a legacy that still resonates with listeners. Similarly, the blues may be regarded as one of the most iconic genres of the twentieth century. This dissertation examines Coltrane’s shifting stylistic tendencies to the blues and explores structural relationships with reductive voice leading analysis. As a variation form, the blues poses issues of continuity since every chorus may be regarded as self-sufficient and internally closed. Voice leading analysis provides a powerful explanation for the fact that Coltrane’s blues solos may be perceived as structurally unified. I also develop a …
Cf Album, Transcriptions, And Analyses, Collin Felter
Cf Album, Transcriptions, And Analyses, Collin Felter
Honors Scholars Collaborative Projects
CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).
Brazilian Rhythms On The Drum Set: Stylizations Of Baiao, Frevo And Maracatu By Drummers Airto Moreira, Nene And Marcio Bahia., Lucas Gomes Maia Tome Pimentel
Brazilian Rhythms On The Drum Set: Stylizations Of Baiao, Frevo And Maracatu By Drummers Airto Moreira, Nene And Marcio Bahia., Lucas Gomes Maia Tome Pimentel
Electronic Theses and Dissertations
The objective of this research is to gather and analyze stylizations of Brazilian folk rhythms baião, frevo and maracatu in contemporary Brazilian jazz. For this end, I examined transcriptions from well-known contemporary drummers Airto Moreira, Nenê and Márcio Bahia. Firstly, I reviewed the path of the drum set in Brazil by examining the important contributions made by drummers Luciano Perrone and Edison Machado. After that, I presented musical characteristics of baião, maracatu and frevo in their original environment, followed by analysis of each rhythm’s stylizations to the drum set made by drummers Airto Moreira, Nenê and Márcio Bahia. I concluded …
Night Music (Compositions, Performance And Improvisations) –And– Developing A Chromatic-Intervallic Approach To Jazz Improvisation Through Reflexive Practice. An Exegesis, Jamie Oehlers
Theses: Doctorates and Masters
This research examines the processes involved in developing and applying a novel melodic jazz improvisation technique—a chromatic-intervallic approach (CIA). Improvised melodic approaches in jazz music from the 1920s until today have primarily been driven through the development of tension within melody lines by using variations of the scale/chord method and harmonic substitution. The CIA examined through my saxophone and improvisatory practice in this research explores the incorporation of melodies derived from intervallic combinations, and assesses the resulting tension within the melody through the use of the Melodic Tension Rating tool; a tool created through the research period of this study. …
An Approach To Jazz Improvisation For Intermediate Saxophonists, Justin Evangelist
An Approach To Jazz Improvisation For Intermediate Saxophonists, Justin Evangelist
Williams Honors College, Honors Research Projects
This project is an organization of the author’s thoughts on teaching jazz improvisational concepts to saxophonists at a beginning to intermediate level of playing ability. Firstly, it discusses the skills students should acquire before studying jazz improvisation. It will focus primarily on building good practice habits through the development of desirable jazz tone and technique. Additionally, this project will offer explanations for understanding how jazz standards are constructed in terms of form and how they are performed. Lastly, this project will introduce several basic concepts the student can use to construct improvised melodies, such as modal scales, blues scales, seventh …
Electronics And The Music Of Miles Davis, Darren E. Shekailo
Electronics And The Music Of Miles Davis, Darren E. Shekailo
Theses and Dissertations
Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.
Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman
Music Is The "Noise Of Remembering" Tracing The Origins, Influences, And Connectivities Of West African Music, Adam Friedman
Lawrence University Honors Projects
The popularity and universal reach of music genres such as Jazz and Hip Hop attest to the idea that these forms have been long established as a vital part of global musical culture. For people who are familiar with Afrocentric music, it is clear that styles such as Jazz and Hip Hop are rooted in, and inextricably linked with, African culture and history. What is more difficult to make sense of, however, is how and why transplanted African culture came to have such wide reaching impact in the new contexts in which it was taken up – because the stories …
Dialogic Communication In The One-To-One Improvisation Lesson: A Qualitative Study, Leon R. De Bruin
Dialogic Communication In The One-To-One Improvisation Lesson: A Qualitative Study, Leon R. De Bruin
Australian Journal of Teacher Education
This qualitative study investigates the dialogic interactions between teacher and student that enhance learning and teaching within the one-to-one music improvisation lesson. This study analyses the ways teachers elicit student actions, thoughts and processes that develop student skills, critical and creative thinking processes necessary for improvisational development. Interactions and interplay between six Australian conservatoire improvisation students and their teachers were investigated. Data reveal dialogic interactions that span instruction, conversation, inquiry and enablement of student knowledge and skills that constitute a complex socio-cultural tapestry of discursive threads. Teacher-student interactions that activate desired creative student activity engage meta-cognitive processes and the cultivation …
The Drums Throughout Time: Rethinking The Beat, Sal Alamillo
The Drums Throughout Time: Rethinking The Beat, Sal Alamillo
Capstone Projects and Master's Theses
This paper will examine a variety of ways that drum makers approach their craft by comparing the processes of distinct forms of drum construction as well as the philosophies and aspirations of these artists. This dissertation will review the various choices of drum makers by: (1) providing a brief history of the drum set, (2) comparing the processes of manufacturers, both prominent and independent, and (3) narrating a firsthand project of making a drum with an independent drum builder while incorporating a handmade drum into original compositions and recordings. The paper will also explain the creative decisions of drum makers …
Salsa For Everyone!, The University Of Maine Department Of Music
Salsa For Everyone!, The University Of Maine Department Of Music
Cultural Affairs Distinguished Lecture Series
Bobby Porcelli and his Afro Latin Jazz Group featuring members of the Arturo O'Farrill Orchestra play a concert and hold several classes related to music performance and dance on the UMaine campus.
A Stylistic Analysis Of Recess Performed By Charlie Hunter From The Dvd Right Now Live, Joshua De Silva
A Stylistic Analysis Of Recess Performed By Charlie Hunter From The Dvd Right Now Live, Joshua De Silva
Theses : Honours
Charlie Hunter is a guitarist who has gained international recognition for his ability to perform guitar parts and bass lines simultaneously on his hybrid guitar. His ability to construct solos within the context of simultaneous bass line and chordal accompaniment, along with methods he employed to create percussive textures, were the central points of discussion for this dissertation. Hunter’s original composition Recess was selected from the Hunter DVD Right Now Live1, which was transcribed and analysed.
This research is significant due to the lack of detailed analysis of Hunter's techniques in an unaccompanied setting, and to the researcher’s knowledge, …
Uncharted Waters: "Hidden" Jazz Collections At The U.W.O Music Library, Lisa Rae Philpott
Uncharted Waters: "Hidden" Jazz Collections At The U.W.O Music Library, Lisa Rae Philpott
Lisa Rae Philpott
Popular music has long been ignored by academic music programs and their associated libraries. If we are now playing 'catch-up' with pop music, then what is the status of jazz music? At Western, surprising collections of jazz music exist, but are hidden. This presentation offers an overview of the Simmons Collection and the CKGW Radio Orchestra collection, and highlights some of the Canadian content contained therein.
Uncharted Waters: "Hidden" Jazz Collections At The U.W.O Music Library, Lisa Rae Philpott
Uncharted Waters: "Hidden" Jazz Collections At The U.W.O Music Library, Lisa Rae Philpott
Western Libraries Presentations
Popular music has long been ignored by academic music programs and their associated libraries. If we are now playing 'catch-up' with pop music, then what is the status of jazz music? At Western, surprising collections of jazz music exist, but are hidden. This presentation offers an overview of the Simmons Collection and the CKGW Radio Orchestra collection, and highlights some of the Canadian content contained therein.
Volume 52, Number 08 (August 1934), James Francis Cooke
Volume 52, Number 08 (August 1934), James Francis Cooke
The Etude Magazine: 1883-1957
When Liszt Renounced the World
Arpeggio Practice
Energetic Fingers
How to Find the Keys and the Forms of the Minor Scales
Midsummer Musical Laughs
Jargon of Jazz: An Amusing Article Upon the New and Absurd Nomenclature Which Has Grown Up About the Jazz Orchestra
Music for the Local History Pageant
What Use is the Quarter Tone Scale? Is this Innovation in Modern Music Likely to Remain Merely a Curiosity?
Expressive Dictation
Remedy for Tense Muscles
Romance of Mendelssohn: A Favored Son of the Gods
Speeding Up the Left Hand
Wagner in Venice
Georges Bizet and the True Story of Carmen …