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Articles 1 - 3 of 3
Full-Text Articles in Music Practice
"Stradivari" By Stewart Pollens, Peter Walls
"Stradivari" By Stewart Pollens, Peter Walls
Performance Practice Review
Peter Walls discusses and reviews Pollens 2010 work.
Pollens, Stewart. Stradivari. Cambridge: Cambridge University Press, 2010.
ISBN 978-0-52187-304-8
By Word Of Mouth: Historical Performance Comes Of Age, Ingrid E. Pearson
By Word Of Mouth: Historical Performance Comes Of Age, Ingrid E. Pearson
Performance Practice Review
Since Clive Brown’s 1991 accusation that many twentieth-century manifestations of historical performance lacked an appropriate degree of musical sensitivity, the historical performance movement has truly come of age. In the arena of Western Art music, historical performance is now an essential component of musical training and education. Successful performers must be able to seamlessly function across the widest possible range of musical styles, accommodating an equally wide gamut of tastes, both individually and collectively.
In 1982, nine years earlier, Walter Ong’s Orality and Literacy: The Technologizing of the Word explored differences between oral and literate cultures. Of particular interest to …
Polychoral Performance Practice And "Maestro Di Cappella" Conducting, Florian Bassani
Polychoral Performance Practice And "Maestro Di Cappella" Conducting, Florian Bassani
Performance Practice Review
This article disputes some basic questions concerning the coordination of seventeenth century sacred music, approaching the phenomenon through a musical species of particular interest, though largely unstudied from a performance practice point of view. Roman polychorality with its specific performing conditions offers an illuminating perspective on principles of musical direction and interaction which differ significantly from our modern access path towards these topics. The inquiry ranges from basics of performance (such as sheet music, rehearsals, direction technics, models and stylistic conditioning of the performers) over the concrete role of the maestro di cappella as well as the tactus as cornerstones …