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Articles 1 - 4 of 4
Full-Text Articles in Music Practice
Stravinsky, Tempo, And Le Sacre, Erica Heisler Buxbaum
Stravinsky, Tempo, And Le Sacre, Erica Heisler Buxbaum
Performance Practice Review
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his metronome markings and his own recorded performance tempos. His preferred tempos in the reviews encompass a range wider than the markings imply, yet more narrow than his own performance tempos suggest.
The "Not-So-Precisely Measured" Music Of The Middle Ages, Hendrik Van Der Werf
The "Not-So-Precisely Measured" Music Of The Middle Ages, Hendrik Van Der Werf
Performance Practice Review
Evidence from medieval writers, musical notation, and variant readings in the sources all suggest that troubadour and trouvere songs were performed in more or less equal note values and in a manner that presented the poetry clearly.
'Back To The Land': Performance Practice And The Classic Period, Malcom S. Cole
'Back To The Land': Performance Practice And The Classic Period, Malcom S. Cole
Performance Practice Review
Although much valuable work has been done on performance practice in the Classic period, many issues await detailed study.
The Performance Of French Baroque Music: A Report On The State Of Current Research, Albert Cohen
The Performance Of French Baroque Music: A Report On The State Of Current Research, Albert Cohen
Performance Practice Review
A survey, with a bibliography, of published research on French Baroque performance practice that appeared during the period 1978-88.