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Full-Text Articles in Music Practice

Cf Album, Transcriptions, And Analyses, Collin Felter Jan 2020

Cf Album, Transcriptions, And Analyses, Collin Felter

Honors Scholars Collaborative Projects

CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).


J.K. Mertz’S Bardenklänge: A Context For The Emergence Of The Character Piece Genre Within The Repertoire For Solo Guitar, Brinsley Doran Sep 2019

J.K. Mertz’S Bardenklänge: A Context For The Emergence Of The Character Piece Genre Within The Repertoire For Solo Guitar, Brinsley Doran

Masters

Having experience a large increase in concert activity in recent years, one would assume that the works of J.K. Mertz (1806–1856) would haveexperience the same level of attention within academic circles, however research is still limited. As a result, this thesissetsout to understand in what areas do Mertz's works differ fromother guitar works in the first half of the nineteenth century—specifically Mertz's set of character piecesfound in hisBardenklänge, op. 13. This thesiswill address shifts in culture, aesthetics and the increasing interest in the ‘Folk’c.1800–1850 that led to the composition of Mertz’s Bardenklänge. Published in 1847, these works are unique in …


The Makings Of An Ep: From Silence To Portable Sounds, Emily Ream Apr 2017

The Makings Of An Ep: From Silence To Portable Sounds, Emily Ream

Senior Honors Theses

The creation of an EP is a process that requires skills in multiple areas. Once, creating an EP was only available to those who garnered resources and support from a record label. However, an increasing number of aspiring musicians are writing, recording, and making their music available for download or purchase without the assistance of a record label. Doing this successfully and excellently requires application of knowledge in areas such as literature, theology (for Christian artists), music theory, music technology, and marketing. This thesis will describe one process used to turn inspiration into a tangible product that one can purchase …


Conductor's Guide To Mark Camphouse's "To Build A Fire", Amanda L. Kastner Apr 2009

Conductor's Guide To Mark Camphouse's "To Build A Fire", Amanda L. Kastner

Senior Honors Theses

This thesis is a guide to understanding and performing Mark Camphouse’s composition, To Build A Fire. The thesis includes a biography of Jack London and a literary analysis of London’s short story “To Build A Fire,” upon which the composition is based. Musical analysis of the Camphouse composition, rehearsal considerations, and performance considerations are also discussed. The literary analysis provides background for the composition and a starting platform for the musical analysis. The musical analysis parallels the composition with the short story. This analysis also provides some technical considerations of the instrumental parts. The rehearsal considerations include a rehearsal plan, …


The Historical Development Of The Modern Worship Song, Travis Doucette Dec 2008

The Historical Development Of The Modern Worship Song, Travis Doucette

Senior Honors Theses

For centuries, followers of Christ have used music as a channel of communicating their love and adoration towards their Creator and Savior, Jesus Christ. In fact, the use of music with God’s people is encouraged throughout the pages of Scripture. In the Old Testament, the psalmist writes, “Sing to him a new song; play skillfully and shout for joy.” In the New Testament, the Apostle Paul writes to the Ephesians, “Speak to one another with psalms, hymns and spiritual songs.” Throughout Christian history, wherever there has been renewal, revival and restoration, fresh songs of praise and worship have followed and …


89th Annual Convocation; Annual Spring Concert, The Sherwood Conservatory Of Music Jun 1984

89th Annual Convocation; Annual Spring Concert, The Sherwood Conservatory Of Music

Commencement Programs

Programs for the Sherwood Music School 89th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 3, 1984 and the Annual Spring Concert on May 20, 1984


88th Annual Convocation, The Sherwood Conservatory Of Music Jun 1983

88th Annual Convocation, The Sherwood Conservatory Of Music

Commencement Programs

Program for the Sherwood Music School 88th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 3, 1983


87th Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1982

87th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 87th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 4, 1982 and the Annual Spring Concert on May 23, 1982


86th Annual Convocation; Annual Spring Concert, Sherwood Music School May 1981

86th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 86th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on May 29, 1981 and the Annual Spring Concert on May 3, 1981


85th Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1980

85th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 85th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 3, 1980 and the Annual Spring Concert on May 18, 1980


84th Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1979

84th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 84th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 1, 1979 and the Annual Spring Concert on May 20, 1979


83rd Annual Convocation, Sherwood Music School Jun 1978

83rd Annual Convocation, Sherwood Music School

Commencement Programs

Program for the Sherwood Music School 83rd Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 2, 1978


82nd Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1977

82nd Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 82nd Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 3, 1977 and the Annual Spring Concert on May 20, 1977


81st Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1976

81st Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 81st Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 8, 1976 and the Annual Spring Concert on June 3, 1976


80th Annual Convocation; Annual Spring Concert, Sherwood Music School Jun 1975

80th Annual Convocation; Annual Spring Concert, Sherwood Music School

Commencement Programs

Programs for the Sherwood Music School 80th Annual Convocation ceremony held at Recital Hall (1014 South Michigan Avenue) on June 11, 1975 and the Annual Spring Concert on May 28, 1975


35th Annual Concert And Commencement, Sherwood Music School Jun 1930

35th Annual Concert And Commencement, Sherwood Music School

Commencement Programs

Program for the Sherwood Music School 35th Annual Concert and Commencement at Orchestra Hall (218 South Michigan Avenue) held on June 21, 1930.